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Alfred, Lord Tennyson
Beautiful City



Beautiful city

Beautiful city, the centre and crater of European confusion,
O you with your passionate shriek for the rights of an equal
humanity,
How often your Re-volution has proven but E-volution
Roll’d again back on itself in the tides of a civic insanity!

EuroTradeMails
Alfred, Lord Tennyson
Battle Of Brunanburgh



Athelstan King,
Lord among Earls,
Bracelet-bestower and
Baron of Barons,
He with his brother,
Edmund Atheling,
Gaining a lifelong
Glory in battle,
Slew with the sword-edge
There by Brunanburh,
Brake the shield-wall,
Hew'd the lindenwood,
Hack'd the battleshield,
Sons of Edward with hammer'd brands.

Theirs was a greatness
Got from their Grandsires--
Theirs that so often in
Strife with their enemies
Struck for their hoards and their hearths and their homes.

Bow'd the spoiler,
Bent the Scotsman,
Fell the shipcrews
Doom'd to the death.
All the field with blood of the fighters
Flow'd, from when first the great
Sun-star of morningtide,
Lamp of the Lord God
Lord everlasting,
Glode over earth till the glorious creature
Sank to his setting.
There lay many a man
Marr'd by the javelin,
Men of the Northland
Shot over shield.
There was the Scotsman
Weary of war.

We the West-Saxons,
Long as the daylight
Lasted, in companies
Troubled the track of the host that we hated;
Grimly with swords that were sharp from the grindstone
Fiercely we hack'd at the flyers before us.

Mighty the Mercian,
Hard was his hand-play,
Sparing not any of
Those that with Anlaf,
Warriors over the
Weltering waters
Borne in the bark's-bosom,
Drew to this island:
Doom'd to the death.

Five young kings put asleep by the sword-stroke,
Seven strong earls of the army of Anlaf
Fell on the war-field, numberless numbers,
Shipmen and Scotsmen.

Then the Norse leader,
Dire was his need of it,
Few were his following,
Fled to his warship;
Fleeted his vessel to sea with the king in it,
Saving his life on the fallow flood.

Also the crafty one,
Constantinus,
Crept to his north again,
Hoar-headed hero!

Slender warrant had
He to be proud of
The welcome of war-knives--
He that was reft of his
Folk and his friends that had
Fallen in conflict,
Leaving his son too
Lost in the carnage,
Mangled to morsels,
A youngster in war!

Slender reason had
He to be glad of
The clash of the war-glaive--
Traitor and trickster
And spurner of treaties--
He nor had Anlaf
With armies so broken
A reason for bragging
That they had the better
In perils of battle
On places of slaughter--
The struggle of standards,
The rush of the javelins,
The crash of the charges,
The wielding of weapons--
The play that they play'd with
The children of Edward.

Then with their nail'd prows
Parted the Norsemen, a
Blood-redden'd relic of
Javelins over
The jarring breaker, the deep-sea billow,
Shaping their way toward Dyflen again,
Shamed in their souls.

Also the brethren,
King and Atheling,
Each in his glory,
Went to his own in his own West-Saxonland,
Glad of the war.

Many a carcase they left to be carrion,
Many a livid one, many a sallow-skin--
Left for the white-tail'd eagle to tear it, and
Left for the horny-nibb'd raven to rend it, and
Gave to the garbaging war-hawk to gorge it, and
That gray beast, the wolf of the weald.

Never had huger
Slaughter of heroes
Slain by the sword-edge--
Such as old writers
Have writ of in histories--
Hapt in this isle, since
Up from the East hither
Saxon and Angle from
Over the broad billow
Broke into Britain with
Haughty war-workers who
Harried the Welshman, when
Earls that were lured by the
Hunger of glory gat
Hold of the land.

Alfred, Lord Tennyson
Balin and Balan



Pellam the King, who held and lost with Lot
In that first war, and had his realm restored
But rendered tributary, failed of late
To send his tribute; wherefore Arthur called
His treasurer, one of many years, and spake,
'Go thou with him and him and bring it to us,
Lest we should set one truer on his throne.
Man's word is God in man.'
His Baron said
'We go but harken: there be two strange knights

Who sit near Camelot at a fountain-side,
A mile beneath the forest, challenging
And overthrowing every knight who comes.
Wilt thou I undertake them as we pass,
And send them to thee?'
Arthur laughed upon him.
'Old friend, too old to be so young, depart,
Delay not thou for aught, but let them sit,
Until they find a lustier than themselves.'

So these departed. Early, one fair dawn,
The light-winged spirit of his youth returned
On Arthur's heart; he armed himself and went,
So coming to the fountain-side beheld
Balin and Balan sitting statuelike,
Brethren, to right and left the spring, that down,
From underneath a plume of lady-fern,
Sang, and the sand danced at the bottom of it.
And on the right of Balin Balin's horse
Was fast beside an alder, on the left
Of Balan Balan's near a poplartree.
'Fair Sirs,' said Arthur, 'wherefore sit ye here?'
Balin and Balan answered 'For the sake
Of glory; we be mightier men than all
In Arthur's court; that also have we proved;
For whatsoever knight against us came
Or I or he have easily overthrown.'
'I too,' said Arthur, 'am of Arthur's hall,
But rather proven in his Paynim wars
Than famous jousts; but see, or proven or not,
Whether me likewise ye can overthrow.'
And Arthur lightly smote the brethren down,
And lightly so returned, and no man knew.

Then Balin rose, and Balan, and beside
The carolling water set themselves again,
And spake no word until the shadow turned;
When from the fringe of coppice round them burst
A spangled pursuivant, and crying 'Sirs,
Rise, follow! ye be sent for by the King,'
They followed; whom when Arthur seeing asked
'Tell me your names; why sat ye by the well?'
Balin the stillness of a minute broke
Saying 'An unmelodious name to thee,
Balin, "the Savage"--that addition thine--
My brother and my better, this man here,
Balan. I smote upon the naked skull
A thrall of thine in open hall, my hand
Was gauntleted, half slew him; for I heard
He had spoken evil of me; thy just wrath
Sent me a three-years' exile from thine eyes.
I have not lived my life delightsomely:
For I that did that violence to thy thrall,
Had often wrought some fury on myself,
Saving for Balan: those three kingless years
Have past--were wormwood-bitter to me. King,
Methought that if we sat beside the well,
And hurled to ground what knight soever spurred
Against us, thou would'st take me gladlier back,
And make, as ten-times worthier to be thine
Than twenty Balins, Balan knight. I have said.
Not so--not all. A man of thine today
Abashed us both, and brake my boast. Thy will?'
Said Arthur 'Thou hast ever spoken truth;
Thy too fierce manhood would not let thee lie.
Rise, my true knight. As children learn, be thou
Wiser for falling! walk with me, and move
To music with thine Order and the King.
Thy chair, a grief to all the brethren, stands
Vacant, but thou retake it, mine again!'

Thereafter, when Sir Balin entered hall,
The Lost one Found was greeted as in Heaven
With joy that blazed itself in woodland wealth
Of leaf, and gayest garlandage of flowers,
Along the walls and down the board; they sat,
And cup clashed cup; they drank and some one sang,
Sweet-voiced, a song of welcome, whereupon
Their common shout in chorus, mounting, made
Those banners of twelve battles overhead
Stir, as they stirred of old, when Arthur's host
Proclaimed him Victor, and the day was won.

Then Balan added to their Order lived
A wealthier life than heretofore with these
And Balin, till their embassage returned.

'Sir King' they brought report 'we hardly found,
So bushed about it is with gloom, the hall
Of him to whom ye sent us, Pellam, once
A Christless foe of thine as ever dashed
Horse against horse; but seeing that thy realm
Hath prospered in the name of Christ, the King
Took, as in rival heat, to holy things;
And finds himself descended from the Saint
Arimathan Joseph; him who first
Brought the great faith to Britain over seas;
He boasts his life as purer than thine own;
Eats scarce enow to keep his pulse abeat;
Hath pushed aside his faithful wife, nor lets
Or dame or damsel enter at his gates
Lest he should be polluted. This gray King
Showed us a shrine wherein were wonders--yea--
Rich arks with priceless bones of martyrdom,
Thorns of the crown and shivers of the cross,
And therewithal (for thus he told us) brought
By holy Joseph thither, that same spear
Wherewith the Roman pierced the side of Christ.
He much amazed us; after, when we sought
The tribute, answered "I have quite foregone
All matters of this world: Garlon, mine heir,
Of him demand it," which this Garlon gave
With much ado, railing at thine and thee.

'But when we left, in those deep woods we found
A knight of thine spear-stricken from behind,
Dead, whom we buried; more than one of us
Cried out on Garlon, but a woodman there
Reported of some demon in the woods
Was once a man, who driven by evil tongues
From all his fellows, lived alone, and came
To learn black magic, and to hate his kind
With such a hate, that when he died, his soul
Became a Fiend, which, as the man in life
Was wounded by blind tongues he saw not whence,
Strikes from behind. This woodman showed the cave
From which he sallies, and wherein he dwelt.
We saw the hoof-print of a horse, no more.'

Then Arthur, 'Let who goes before me, see
He do not fall behind me: foully slain
And villainously! who will hunt for me
This demon of the woods?' Said Balan, 'I'!
So claimed the quest and rode away, but first,
Embracing Balin, 'Good my brother, hear!
Let not thy moods prevail, when I am gone
Who used to lay them! hold them outer fiends,
Who leap at thee to tear thee; shake them aside,
Dreams ruling when wit sleeps! yea, but to dream
That any of these would wrong thee, wrongs thyself.
Witness their flowery welcome. Bound are they
To speak no evil. Truly save for fears,
My fears for thee, so rich a fellowship
Would make me wholly blest: thou one of them,
Be one indeed: consider them, and all
Their bearing in their common bond of love,
No more of hatred than in Heaven itself,
No more of jealousy than in Paradise.'

So Balan warned, and went; Balin remained:
Who--for but three brief moons had glanced away
From being knighted till he smote the thrall,
And faded from the presence into years
Of exile--now would strictlier set himself
To learn what Arthur meant by courtesy,
Manhood, and knighthood; wherefore hovered round
Lancelot, but when he marked his high sweet smile
In passing, and a transitory word
Make knight or churl or child or damsel seem
From being smiled at happier in themselves--
Sighed, as a boy lame-born beneath a height,
That glooms his valley, sighs to see the peak
Sun-flushed, or touch at night the northern star;
For one from out his village lately climed
And brought report of azure lands and fair,
Far seen to left and right; and he himself
Hath hardly scaled with help a hundred feet
Up from the base: so Balin marvelling oft
How far beyond him Lancelot seemed to move,
Groaned, and at times would mutter, 'These be gifts,
Born with the blood, not learnable, divine,
Beyond MY reach. Well had I foughten--well--
In those fierce wars, struck hard--and had I crowned
With my slain self the heaps of whom I slew--
So--better!--But this worship of the Queen,
That honour too wherein she holds him--this,
This was the sunshine that hath given the man
A growth, a name that branches o'er the rest,
And strength against all odds, and what the King
So prizes--overprizes--gentleness.
Her likewise would I worship an I might.
I never can be close with her, as he
That brought her hither. Shall I pray the King
To let me bear some token of his Queen
Whereon to gaze, remembering her--forget
My heats and violences? live afresh?
What, if the Queen disdained to grant it! nay
Being so stately-gentle, would she make
My darkness blackness? and with how sweet grace
She greeted my return! Bold will I be--
Some goodly cognizance of Guinevere,
In lieu of this rough beast upon my shield,
Langued gules, and toothed with grinning savagery.'

And Arthur, when Sir Balin sought him, said
'What wilt thou bear?' Balin was bold, and asked
To bear her own crown-royal upon shield,
Whereat she smiled and turned her to the King,
Who answered 'Thou shalt put the crown to use.
The crown is but the shadow of the King,
And this a shadow's shadow, let him have it,
So this will help him of his violences!'
'No shadow' said Sir Balin 'O my Queen,
But light to me! no shadow, O my King,
But golden earnest of a gentler life!'

So Balin bare the crown, and all the knights
Approved him, and the Queen, and all the world
Made music, and he felt his being move
In music with his Order, and the King.

The nightingale, full-toned in middle May,
Hath ever and anon a note so thin
It seems another voice in other groves;
Thus, after some quick burst of sudden wrath,
The music in him seemed to change, and grow
Faint and far-off.
And once he saw the thrall
His passion half had gauntleted to death,
That causer of his banishment and shame,
Smile at him, as he deemed, presumptuously:
His arm half rose to strike again, but fell:
The memory of that cognizance on shield
Weighted it down, but in himself he moaned:

'Too high this mount of Camelot for me:
These high-set courtesies are not for me.
Shall I not rather prove the worse for these?
Fierier and stormier from restraining, break
Into some madness even before the Queen?'

Thus, as a hearth lit in a mountain home,
And glancing on the window, when the gloom
Of twilight deepens round it, seems a flame
That rages in the woodland far below,
So when his moods were darkened, court and King
And all the kindly warmth of Arthur's hall
Shadowed an angry distance: yet he strove
To learn the graces of their Table, fought
Hard with himself, and seemed at length in peace.

Then chanced, one morning, that Sir Balin sat
Close-bowered in that garden nigh the hall.
A walk of roses ran from door to door;
A walk of lilies crost it to the bower:
And down that range of roses the great Queen
Came with slow steps, the morning on her face;
And all in shadow from the counter door
Sir Lancelot as to meet her, then at once,
As if he saw not, glanced aside, and paced
The long white walk of lilies toward the bower.
Followed the Queen; Sir Balin heard her 'Prince,
Art thou so little loyal to thy Queen,
As pass without good morrow to thy Queen?'
To whom Sir Lancelot with his eyes on earth,
'Fain would I still be loyal to the Queen.'
'Yea so' she said 'but so to pass me by--
So loyal scarce is loyal to thyself,
Whom all men rate the king of courtesy.
Let be: ye stand, fair lord, as in a dream.'

Then Lancelot with his hand among the flowers
'Yea--for a dream. Last night methought I saw
That maiden Saint who stands with lily in hand
In yonder shrine. All round her prest the dark,
And all the light upon her silver face
Flowed from the spiritual lily that she held.
Lo! these her emblems drew mine eyes--away:
For see, how perfect-pure! As light a flush
As hardly tints the blossom of the quince
Would mar their charm of stainless maidenhood.'

'Sweeter to me' she said 'this garden rose
Deep-hued and many-folded! sweeter still
The wild-wood hyacinth and the bloom of May.
Prince, we have ridden before among the flowers
In those fair days--not all as cool as these,
Though season-earlier. Art thou sad? or sick?
Our noble King will send thee his own leech--
Sick? or for any matter angered at me?'

Then Lancelot lifted his large eyes; they dwelt
Deep-tranced on hers, and could not fall: her hue
Changed at his gaze: so turning side by side
They past, and Balin started from his bower.

'Queen? subject? but I see not what I see.
Damsel and lover? hear not what I hear.
My father hath begotten me in his wrath.
I suffer from the things before me, know,
Learn nothing; am not worthy to be knight;
A churl, a clown!' and in him gloom on gloom
Deepened: he sharply caught his lance and shield,
Nor stayed to crave permission of the King,
But, mad for strange adventure, dashed away.

He took the selfsame track as Balan, saw
The fountain where they sat together, sighed
'Was I not better there with him?' and rode
The skyless woods, but under open blue
Came on the hoarhead woodman at a bough
Wearily hewing. 'Churl, thine axe!' he cried,
Descended, and disjointed it at a blow:
To whom the woodman uttered wonderingly
'Lord, thou couldst lay the Devil of these woods
If arm of flesh could lay him.' Balin cried
'Him, or the viler devil who plays his part,
To lay that devil would lay the Devil in me.'
'Nay' said the churl, 'our devil is a truth,
I saw the flash of him but yestereven.
And some DO say that our Sir Garlon too
Hath learned black magic, and to ride unseen.
Look to the cave.' But Balin answered him
'Old fabler, these be fancies of the churl,
Look to thy woodcraft,' and so leaving him,
Now with slack rein and careless of himself,
Now with dug spur and raving at himself,
Now with droopt brow down the long glades he rode;
So marked not on his right a cavern-chasm
Yawn over darkness, where, nor far within,
The whole day died, but, dying, gleamed on rocks
Roof-pendent, sharp; and others from the floor,
Tusklike, arising, made that mouth of night
Whereout the Demon issued up from Hell.
He marked not this, but blind and deaf to all
Save that chained rage, which ever yelpt within,
Past eastward from the falling sun. At once
He felt the hollow-beaten mosses thud
And tremble, and then the shadow of a spear,
Shot from behind him, ran along the ground.
Sideways he started from the path, and saw,
With pointed lance as if to pierce, a shape,
A light of armour by him flash, and pass
And vanish in the woods; and followed this,
But all so blind in rage that unawares
He burst his lance against a forest bough,
Dishorsed himself, and rose again, and fled
Far, till the castle of a King, the hall
Of Pellam, lichen-bearded, grayly draped
With streaming grass, appeared, low-built but strong;
The ruinous donjon as a knoll of moss,
The battlement overtopt with ivytods,
A home of bats, in every tower an owl.
Then spake the men of Pellam crying 'Lord,

Why wear ye this crown-royal upon shield?'
Said Balin 'For the fairest and the best
Of ladies living gave me this to bear.'
So stalled his horse, and strode across the court,
But found the greetings both of knight and King
Faint in the low dark hall of banquet: leaves
Laid their green faces flat against the panes,
Sprays grated, and the cankered boughs without
Whined in the wood; for all was hushed within,
Till when at feast Sir Garlon likewise asked
'Why wear ye that crown-royal?' Balin said
'The Queen we worship, Lancelot, I, and all,
As fairest, best and purest, granted me
To bear it!' Such a sound (for Arthur's knights
Were hated strangers in the hall) as makes
The white swan-mother, sitting, when she hears
A strange knee rustle through her secret reeds,
Made Garlon, hissing; then he sourly smiled.
'Fairest I grant her: I have seen; but best,
Best, purest? THOU from Arthur's hall, and yet
So simple! hast thou eyes, or if, are these
So far besotted that they fail to see
This fair wife-worship cloaks a secret shame?
Truly, ye men of Arthur be but babes.'

A goblet on the board by Balin, bossed
With holy Joseph's legend, on his right
Stood, all of massiest bronze: one side had sea
And ship and sail and angels blowing on it:
And one was rough with wattling, and the walls
Of that low church he built at Glastonbury.
This Balin graspt, but while in act to hurl,
Through memory of that token on the shield
Relaxed his hold: 'I will be gentle' he thought
'And passing gentle' caught his hand away,
Then fiercely to Sir Garlon 'Eyes have I
That saw today the shadow of a spear,
Shot from behind me, run along the ground;
Eyes too that long have watched how Lancelot draws
From homage to the best and purest, might,
Name, manhood, and a grace, but scantly thine,
Who, sitting in thine own hall, canst endure
To mouth so huge a foulness--to thy guest,
Me, me of Arthur's Table. Felon talk!
Let be! no more!'
But not the less by night
The scorn of Garlon, poisoning all his rest,
Stung him in dreams. At length, and dim through leaves
Blinkt the white morn, sprays grated, and old boughs
Whined in the wood. He rose, descended, met
The scorner in the castle court, and fain,
For hate and loathing, would have past him by;
But when Sir Garlon uttered mocking-wise;
'What, wear ye still that same crown-scandalous?'
His countenance blackened, and his forehead veins
Bloated, and branched; and tearing out of sheath
The brand, Sir Balin with a fiery 'Ha!
So thou be shadow, here I make thee ghost,'
Hard upon helm smote him, and the blade flew
Splintering in six, and clinkt upon the stones.
Then Garlon, reeling slowly backward, fell,
And Balin by the banneret of his helm
Dragged him, and struck, but from the castle a cry
Sounded across the court, and--men-at-arms,
A score with pointed lances, making at him--
He dashed the pummel at the foremost face,
Beneath a low door dipt, and made his feet
Wings through a glimmering gallery, till he marked
The portal of King Pellam's chapel wide
And inward to the wall; he stept behind;
Thence in a moment heard them pass like wolves
Howling; but while he stared about the shrine,
In which he scarce could spy the Christ for Saints,
Beheld before a golden altar lie
The longest lance his eyes had ever seen,
Point-painted red; and seizing thereupon
Pushed through an open casement down, leaned on it,
Leapt in a semicircle, and lit on earth;
Then hand at ear, and harkening from what side
The blindfold rummage buried in the walls
Might echo, ran the counter path, and found
His charger, mounted on him and away.
An arrow whizzed to the right, one to the left,
One overhead; and Pellam's feeble cry
'Stay, stay him! he defileth heavenly things
With earthly uses'--made him quickly dive
Beneath the boughs, and race through many a mile
Of dense and open, till his goodly horse,
Arising wearily at a fallen oak,
Stumbled headlong, and cast him face to ground.

Half-wroth he had not ended, but all glad,
Knightlike, to find his charger yet unlamed,
Sir Balin drew the shield from off his neck,
Stared at the priceless cognizance, and thought
'I have shamed thee so that now thou shamest me,
Thee will I bear no more,' high on a branch
Hung it, and turned aside into the woods,
And there in gloom cast himself all along,
Moaning 'My violences, my violences!'

But now the wholesome music of the wood
Was dumbed by one from out the hall of Mark,
A damsel-errant, warbling, as she rode
The woodland alleys, Vivien, with her Squire.

'The fire of Heaven has killed the barren cold,
And kindled all the plain and all the wold.
The new leaf ever pushes off the old.
The fire of Heaven is not the flame of Hell.

'Old priest, who mumble worship in your quire--
Old monk and nun, ye scorn the world's desire,
Yet in your frosty cells ye feel the fire!
The fire of Heaven is not the flame of Hell.

'The fire of Heaven is on the dusty ways.
The wayside blossoms open to the blaze.
The whole wood-world is one full peal of praise.
The fire of Heaven is not the flame of Hell.

'The fire of Heaven is lord of all things good,
And starve not thou this fire within thy blood,
But follow Vivien through the fiery flood!
The fire of Heaven is not the flame of Hell!'

Then turning to her Squire 'This fire of Heaven,
This old sun-worship, boy, will rise again,
And beat the cross to earth, and break the King
And all his Table.'
Then they reached a glade,
Where under one long lane of cloudless air
Before another wood, the royal crown
Sparkled, and swaying upon a restless elm
Drew the vague glance of Vivien, and her Squire;
Amazed were these; 'Lo there' she cried--'a crown--
Borne by some high lord-prince of Arthur's hall,
And there a horse! the rider? where is he?
See, yonder lies one dead within the wood.
Not dead; he stirs!--but sleeping. I will speak.
Hail, royal knight, we break on thy sweet rest,
Not, doubtless, all unearned by noble deeds.
But bounden art thou, if from Arthur's hall,
To help the weak. Behold, I fly from shame,
A lustful King, who sought to win my love
Through evil ways: the knight, with whom I rode,
Hath suffered misadventure, and my squire
Hath in him small defence; but thou, Sir Prince,
Wilt surely guide me to the warrior King,
Arthur the blameless, pure as any maid,
To get me shelter for my maidenhood.
I charge thee by that crown upon thy shield,
And by the great Queen's name, arise and hence.'

And Balin rose, 'Thither no more! nor Prince
Nor knight am I, but one that hath defamed
The cognizance she gave me: here I dwell
Savage among the savage woods, here die--
Die: let the wolves' black maws ensepulchre
Their brother beast, whose anger was his lord.
O me, that such a name as Guinevere's,
Which our high Lancelot hath so lifted up,
And been thereby uplifted, should through me,
My violence, and my villainy, come to shame.'

Thereat she suddenly laughed and shrill, anon
Sighed all as suddenly. Said Balin to her
'Is this thy courtesy--to mock me, ha?
Hence, for I will not with thee.' Again she sighed
'Pardon, sweet lord! we maidens often laugh
When sick at heart, when rather we should weep.
I knew thee wronged. I brake upon thy rest,
And now full loth am I to break thy dream,
But thou art man, and canst abide a truth,
Though bitter. Hither, boy--and mark me well.
Dost thou remember at Caerleon once--
A year ago--nay, then I love thee not--
Ay, thou rememberest well--one summer dawn--
By the great tower--Caerleon upon Usk--
Nay, truly we were hidden: this fair lord,
The flower of all their vestal knighthood, knelt
In amorous homage--knelt--what else?--O ay
Knelt, and drew down from out his night-black hair
And mumbled that white hand whose ringed caress
Had wandered from her own King's golden head,
And lost itself in darkness, till she cried--
I thought the great tower would crash down on both--
"Rise, my sweet King, and kiss me on the lips,
Thou art my King." This lad, whose lightest word
Is mere white truth in simple nakedness,
Saw them embrace: he reddens, cannot speak,
So bashful, he! but all the maiden Saints,
The deathless mother-maidenhood of Heaven,
Cry out upon her. Up then, ride with me!
Talk not of shame! thou canst not, an thou would'st,
Do these more shame than these have done themselves.'

She lied with ease; but horror-stricken he,
Remembering that dark bower at Camelot,
Breathed in a dismal whisper 'It is truth.'

Sunnily she smiled 'And even in this lone wood,
Sweet lord, ye do right well to whisper this.
Fools prate, and perish traitors. Woods have tongues,
As walls have ears: but thou shalt go with me,
And we will speak at first exceeding low.
Meet is it the good King be not deceived.
See now, I set thee high on vantage ground,
From whence to watch the time, and eagle-like
Stoop at thy will on Lancelot and the Queen.'

She ceased; his evil spirit upon him leapt,
He ground his teeth together, sprang with a yell,
Tore from the branch, and cast on earth, the shield,
Drove his mailed heel athwart the royal crown,
Stampt all into defacement, hurled it from him
Among the forest weeds, and cursed the tale,
The told-of, and the teller.
That weird yell,
Unearthlier than all shriek of bird or beast,
Thrilled through the woods; and Balan lurking there
(His quest was unaccomplished) heard and thought
'The scream of that Wood-devil I came to quell!'
Then nearing 'Lo! he hath slain some brother-knight,
And tramples on the goodly shield to show
His loathing of our Order and the Queen.
My quest, meseems, is here. Or devil or man
Guard thou thine head.' Sir Balin spake not word,
But snatched a sudden buckler from the Squire,
And vaulted on his horse, and so they crashed
In onset, and King Pellam's holy spear,
Reputed to be red with sinless blood,
Redded at once with sinful, for the point
Across the maiden shield of Balan pricked
The hauberk to the flesh; and Balin's horse
Was wearied to the death, and, when they clashed,
Rolling back upon Balin, crushed the man
Inward, and either fell, and swooned away.

Then to her Squire muttered the damsel 'Fools!
This fellow hath wrought some foulness with his Queen:
Else never had he borne her crown, nor raved
And thus foamed over at a rival name:
But thou, Sir Chick, that scarce hast broken shell,
Art yet half-yolk, not even come to down--
Who never sawest Caerleon upon Usk--
And yet hast often pleaded for my love--
See what I see, be thou where I have been,
Or else Sir Chick--dismount and loose their casques
I fain would know what manner of men they be.'
And when the Squire had loosed them, 'Goodly!--look!
They might have cropt the myriad flower of May,
And butt each other here, like brainless bulls,
Dead for one heifer!
Then the gentle Squire
'I hold them happy, so they died for love:
And, Vivien, though ye beat me like your dog,
I too could die, as now I live, for thee.'

'Live on, Sir Boy,' she cried. 'I better prize
The living dog than the dead lion: away!
I cannot brook to gaze upon the dead.'
Then leapt her palfrey o'er the fallen oak,
And bounding forward 'Leave them to the wolves.'

But when their foreheads felt the cooling air,
Balin first woke, and seeing that true face,
Familiar up from cradle-time, so wan,
Crawled slowly with low moans to where he lay,
And on his dying brother cast himself
Dying; and HE lifted faint eyes; he felt
One near him; all at once they found the world,
Staring wild-wide; then with a childlike wail
And drawing down the dim disastrous brow
That o'er him hung, he kissed it, moaned and spake;

'O Balin, Balin, I that fain had died
To save thy life, have brought thee to thy death.
Why had ye not the shield I knew? and why
Trampled ye thus on that which bare the Crown?'

Then Balin told him brokenly, and in gasps,
All that had chanced, and Balan moaned again.

'Brother, I dwelt a day in Pellam's hall:
This Garlon mocked me, but I heeded not.
And one said "Eat in peace! a liar is he,
And hates thee for the tribute!" this good knight
Told me, that twice a wanton damsel came,
And sought for Garlon at the castle-gates,
Whom Pellam drove away with holy heat.
I well believe this damsel, and the one
Who stood beside thee even now, the same.
"She dwells among the woods" he said "and meets
And dallies with him in the Mouth of Hell."
Foul are their lives; foul are their lips; they lied.
Pure as our own true Mother is our Queen."

'O brother' answered Balin 'woe is me!
My madness all thy life has been thy doom,
Thy curse, and darkened all thy day; and now
The night has come. I scarce can see thee now.

Goodnight! for we shall never bid again
Goodmorrow--Dark my doom was here, and dark
It will be there. I see thee now no more.
I would not mine again should darken thine,
Goodnight, true brother.
Balan answered low
'Goodnight, true brother here! goodmorrow there!
We two were born together, and we die
Together by one doom:' and while he spoke
Closed his death-drowsing eyes, and slept the sleep
With Balin, either locked in either's arm.

EuroTradeMails
Alfred, Lord Tennyson
Audley Court



Audley Court


‘The Bull, the Fleece are cramm’d, and not a room
For love or money. Let us picnic there
At Audley Court.’

I spoke, while Audley feast

Humm’d like a hive all round the narrow quay,
To Francis, with a basket on his arm,
To Francis just alighted from the boat,
And breathing of the sea. ‘With all my heart,’
Said Francis. Then we shoulder’d thro’ the swarm,
And rounded by the stillness of the beach
To where the bay runs up its latest horn.

We left the dying ebb that faintly lipp’d
The flat red granite; so by many a sweep
Of meadow smooth from aftermath we reach’d
The griffin-guarded gates, and pass’d thro’ all
The pillar’d dusk of sounding sycamores,
And cross’d the garden to the gardener’s lodge,
With all its casements bedded, and its walls
And chimneys muffled in the leafy vine.


There, on a slope of orchard, Francis laid
A damask napkin wrought with horse and hound,
Brought out a dusky loaf that smelt of home,
And, half-cut-down, a pasty costly-made,
Where quail and pigeon, lark and leveret lay,
Like fossils of the rock, with golden yolks
Imbedded and injellied; last, with these,
A flask of cider from his father’s vats,
Prime, which I knew; and so we sat and eat
And talk’d old matters over; who was dead,
Who married, who was like to be, and how
The races went, and who would rent the hall:
Then touch’d upon the game, how scarce it was
This season; glancing thence, discuss’d the farm,
The four-field system, and the price of grain;
And struck upon the corn-laws, where we split,
And came again together on the king
With heated faces; till he laugh’d aloud;
And, while the blackbird on the pippin hung
To hear him, clapt his hand in mine and sang–


‘Oh! who would fight and march and countermarch,
Be shot for sixpence in a battle-field,
And shovell’d up into some bloody trench
Where no one knows? but let me live my life.
‘Oh! who would cast and balance at a desk,
Perch’d like a crow upon a three-legg’d stool,
Till all his juice is dried, and all his joints
Are full of chalk? but let me live my life.
‘Who’d serve the state? for if I carved my name
Upon the cliffs that guard my native land,
I might as well have traced it in the sands;
The sea wastes all: but let me live my life.
‘Oh! who would love? I woo’d a woman once,
But she was sharper than an eastern wind,
And all my heart turn’d from her, as a thorn
Turns from the sea; but let me live my life.’


He sang his song, and I replied with mine:
I found it in a volume, all of songs,
Knock’d down to me, when old Sir Robert’s pride,
His books–the more the pity, so I said–
Came to the hammer here in March–and this–
I set the words, and added names I knew.


‘Sleep, Ellen Aubrey, sleep, and dream of me:
Sleep, Ellen, folded in thy sister’s arm,
And sleeping, haply dream her arm is mine.
‘Sleep, Ellen, folded in Emilia’s arm;
Emilia, fairer than all else but thou,
For thou art fairer than all else that is.
‘Sleep, breathing health and peace upon her breast:
Sleep, breathing love and trust against her lip:
I go to-night: I come to-morrow morn.
‘I go, but I return: I would I were
The pilot of the darkness and the dream.
Sleep, Ellen Aubrey, love, and dream of me.’


So sang we each to either, Francis Hale,
The farmer’s son, who lived across the bay,
My friend; and I, that having wherewithal,
And in the fallow leisure of my life
A rolling stone of here and everywhere,
Did what I would; but ere the night we rose
And saunter’d home beneath a moon, that, just
In crescent, dimly rain’d about the leaf
Twilights of airy silver, till we reach’d
The limit of the hills; and as we sank
From rock to rock upon the glooming quay,
The town was hush’d beneath us: lower down
The bay was oily calm; the harbour-buoy,
Sole star of phosphorescence in the calm,
With one green sparkle ever and anon
Dipt by itself, and we were glad at heart.

Alfred, Lord Tennyson
Ask Me No More



Ask me no more: the moon may draw the sea;
The cloud may stoop from heaven and take the shape,
With fold to fold, of mountain or of cape;
But O too fond, when have I answer'd thee?
Ask me no more.

Ask me no more: what answer should I give?
I love not hollow cheek or faded eye:
Yet, O my friend, I will not have thee die!
Ask me no more, lest I should bid thee live;
Ask me no more.

Ask me no more: thy fate and mine are seal'd:
I strove against the stream and all in vain:
Let the great river take me to the main:
No more, dear love, for at a touch I yield;
Ask me no more.

EuroTradeMails
Alfred, Lord Tennyson
Amphion



MY father left a park to me,
But it is wild and barren,
A garden too with scarce a tree,
And waster than a warren:
Yet say the neighbours when they call,
It is not bad but good land,
And in it is the germ of all
That grows within the woodland.

O had I lived when song was great
In days of old Amphion,
And ta'en my fiddle to the gate,
Nor cared for seed or scion!
And had I lived when song was great,
And legs of trees were limber,
And ta'en my fiddle to the gate,
And fiddled in the timber!

'Tis said he had a tuneful tongue,
Such happy intonation,
Wherever he sat down and sung
He left a small plantation;
Wherever in a lonely grove
He set up his forlorn pipes,
The gouty oak began to move,
And flounder into hornpipes.

The mountain stirr'd its bushy crown,
And, as tradition teaches,
Young ashes pirouetted down
Coquetting with young beeches;
And briony-vine and ivy-wreath
Ran forward to his rhyming,
And from the valleys underneath
Came little copses climbing.

The linden broke her ranks and rent
The woodbine wreaths that bind her,
And down the middle, buzz! she went
With all her bees behind her:
The poplars, in long order due,
With cypress promenaded,
The shock-head willows two and two
By rivers gallopaded.

Came wet-shod alder from the wave,
Came yews, a dismal coterie;
Each pluck'd his one foot from the grave,
Poussetting with a sloe-tree:
Old elms came breaking from the vine,
The vine stream'd out to follow,
And, sweating rosin, plump'd the pine
From many a cloudy hollow.

And wasn't it a sight to see,
When, ere his song was ended,
Like some great landslip, tree by tree,
The country-side descended;
And shepherds from the mountain-eaves
Look'd down, half-pleased, half-frighten'd,
As dash'd about the drunken leaves
The random sunshine lighten'd!

Oh, nature first was fresh to men,
And wanton without measure;
So youthful and so flexile then,
You moved her at your pleasure.
Twang out, my fiddle! shake the twigs'
And make her dance attendance;
Blow, flute, and stir the stiff-set sprigs,
And scirrhous roots and tendons.

'Tis vain ! in such a brassy age
I could not move a thistle;
The very sparrows in the hedge
Scarce answer to my whistle;
'Or at the most, when three-parts-sick
With strumming and with scraping,
A jackass heehaws from the rick,
The passive oxen gaping.

But what is that I hear ? a sound
Like sleepy counsel pleading;
O Lord !--'tis in my neighbour's ground,
The modern Muses reading.
They read Botanic Treatises,
And Works on Gardening thro' there,
And Methods of transplanting trees
To look as if they grew there.

The wither'd Misses! how they prose
O'er books of travell'd seamen,
And show you slips of all that grows
From England to Van Diemen.
They read in arbours clipt and cut,
And alleys, faded places,
By squares of tropic summer shut
And warm'd in crystal cases.

But these, tho' fed with careful dirt,
Are neither green nor sappy;
Half-conscious of the garden-squirt,
The spindlings look unhappy.
Better to me the meanest weed
That blows upon its mountain,
The vilest herb that runs to seed
Beside its native fountain.

And I must work thro' months of toil,
And years of cultivation,
Upon my proper patch of soil
To grow my own plantation.
I'll take the showers as they fall,
I will not vex my bosom:
Enough if at the end of all
A little garden blossom.

Alfred, Lord Tennyson
All Things will Die



All Things will Die

Clearly the blue river chimes in its flowing

Under my eye;
Warmly and broadly the south winds are blowing

Over the sky.
One after another the white clouds are fleeting;
Every heart this May morning in joyance is beating

Full merrily;
Yet all things must die.
The stream will cease to flow;
The wind will cease to blow;
The clouds will cease to fleet;
The heart will cease to beat;
For all things must die.
All things must die.
Spring will come never more.
O, vanity!
Death waits at the door.
See! our friends are all forsaking
The wine and the merrymaking.
We are call’d–we must go.
Laid low, very low,
In the dark we must lie.
The merry glees are still;
The voice of the bird
Shall no more be heard,
Nor the wind on the hill.
O, misery!
Hark! death is calling
While I speak to ye,
The jaw is falling,
The red cheek paling,
The strong limbs failing;
Ice with the warm blood mixing;
The eyeballs fixing.
Nine times goes the passing bell:
Ye merry souls, farewell.
The old earth
Had a birth,
As all men know,
Long ago.
And the old earth must die.
So let the warm winds range,
And the blue wave beat the shore;
For even and morn
Ye will never see
Thro’ eternity.
All things were born.
Ye will come never more,
For all things must die.

EuroTradeMails
Alfred, Lord Tennyson
After-Thought


I thought of Thee, my partner and my guide,
As being past away. -Vain sympathies!
For backward, Duddon! as I cast my eyes,
I see what was, and is, and will abide;
Still glides the Stream, and shall not cease to glide;
The Form remains, the Function never dies;
While we, the brave, the mighty, and the wise,
We Men, who in our morn of youth defied
The elements, must vanish; -be it so!
Enough, if something from our hands have power
To live, and act, and serve the future hour;
And if, as toward the silent tomb we go,
Through love, through hope, and faith's transcendent dower,
We feel that we are greater than we know.

Alfred, Lord Tennyson
A Farewell



Flow down, cold rivulet, to the sea,
Thy tribute wave deliver:
No more by thee my steps shall be,
For ever and for ever.

Flow, softly flow, by lawn and lea,
A rivulet then a river;
No where by thee my steps shall be,
For ever and for ever.

But here will sigh thine alder tree,
And here thine aspen shiver;
And here by thee will hum the bee,
For ever and for ever.

A thousand suns will stream on thee,
A thousand moons will quiver;
But not by thee my steps shall be,
For ever and for ever.

EuroTradeMails
Alfred, Lord Tennyson
‘And ask ye why these sad tears stream?’



'And ask ye why these sad tears stream?'

‘Te somnia nostra reducunt.’
OVID.

And ask ye why these sad tears stream?
Why these wan eyes are dim with weeping?
I had a dream–a lovely dream,
Of her that in the grave is sleeping.

I saw her as ’twas yesterday,
The bloom upon her cheek still glowing;
And round her play’d a golden ray,
And on her brows were gay flowers blowing.

With angel-hand she swept a lyre,
A garland red with roses bound it;
Its strings were wreath’d with lambent fire
And amaranth was woven round it.

I saw her mid the realms of light,
In everlasting radiance gleaming;
Co-equal with the seraphs bright,
Mid thousand thousand angels beaming.

I strove to reach her, when, behold,
Those fairy forms of bliss Elysian,
And all that rich scene wrapt in gold,
Faded in air–a lovely vision!

And I awoke, but oh! to me
That waking hour was doubly weary;
And yet I could not envy thee,
Although so blest, and I so dreary.

Biography of Alfred, Lord Tennyson



Alfred, Lord Tennyson, 1st Baron: (born Aug. 6, 1809, Somersby, Lincolnshire, Eng.—died Oct. 6, 1892, Aldworth, Surrey) English poet often regarded as the chief representative of the Victorian age in poetry. He was raised to the peerage in 1884.

Early life and work
Tennyson was the fourth of 12 children, born into an old Lincolnshire family, his father a rector. Alfred, with two of his brothers, Frederick and Charles, was sent in 1815 to Louth grammar school—where he was unhappy. He left in 1820, but, though home conditions were difficult, his father managed to give him a wide literary education. Alfred was precocious, and before his teens he had composed in the styles of Alexander Pope, Sir Walter Scott, and John Milton. To his youth also belongs The Devil and the Lady (a collection of previously unpublished poems published posthumously in 1930), which shows an astonishing understanding of Elizabethan dramatic verse. Lord Byron was a dominant influence on the young Tennyson.

At the lonely rectory in Somersby the children were thrown upon their own resources. All writers on Tennyson emphasize the influence of the Lincolnshire countryside on his poetry: the plain, the sea about his home, “the sand-built ridge of heaped hills that mound the sea,” and “the waste enormous marsh.”

In 1824 the health of Tennyson's father began to break down, and he took refuge in drink. Alfred, though depressed by unhappiness at home, continued to write, collaborating with Frederick and Charles in Poems by Two Brothers (1826; dated 1827). His contributions (more than half the volume) are mostly in fashionable styles of the day.

In 1827 Alfred and Charles joined Frederick at Trinity College, Cambridge. There Alfred made friends with Arthur Hallam, the gifted son of the historian Henry Hallam. This was the deepest friendship of Tennyson's life. The friends became members of the Apostles, an exclusive undergraduate club of earnest intellectual interests. Tennyson's reputation as a poet increased at Cambridge. In 1829 he won the chancellor's gold medal with a poem called Timbuctoo. In 1830 Poems, Chiefly Lyrical was published; and in the same year Tennyson, Hallam, and other Apostles went to Spain to help in the unsuccessful revolution against Ferdinand VII. In the meantime, Hallam had become attached to Tennyson's sister Emily but was forbidden by her father to correspond with her for a year.

In 1831 Tennyson's father died. Alfred's misery was increased by his grandfather's discovery of his father's debts. He left Cambridge without taking a degree, and his grandfather made financial arrangements for the family. In the same year, Hallam published a eulogistic article on Poems, Chiefly Lyrical in The Englishman's Magazine. He went to Somersby in 1832 as the accepted suitor of Emily.

In 1832 Tennyson published another volume of his poems (dated 1833), including “The Lotos-Eaters,” “The Palace of Art,” and “The Lady of Shalott.” Among them was a satirical epigram on the critic Christopher North (pseudonym of the Scottish writer John Wilson), who had attacked Poems, Chiefly Lyrical in Blackwood's Magazine. Tennyson's sally prompted a scathing attack on his new volume in the Quarterly Review. The attacks distressed Tennyson, but he continued to revise his old poems and compose new ones.

In 1833 Hallam's engagement was recognized by his family, but while on a visit to Vienna in September he died suddenly. The shock to Tennyson was severe. It came at a depressing time; three of his brothers, Edward, Charles, and Septimus, were suffering from mental illness, and the bad reception of his own work added to the gloom. Yet it was in this period that he wrote some of his most characteristic work: “The Two Voices” (of which the original title, significantly, was “Thoughts of a Suicide”), “Ulysses,” “St. Simeon Stylites,” and, probably, the first draft of “Morte d'Arthur.” To this period also belong some of the poems that became constituent parts of In Memoriam, celebrating Hallam's death, and lyrics later worked into Maud.

In May 1836 his brother Charles married Louisa Sellwood of Horncastle, and at the wedding Alfred fell in love with her sister Emily. For some years the lovers corresponded, but Emily's father disapproved of Tennyson because of his bohemianism, addiction to port and tobacco, and liberal religious views; and in 1840 he forbade the correspondence. Meanwhile the Tennysons had left Somersby and were living a rather wandering life nearer London. It was in this period that Tennyson made friends with many famous men, including the politician William Ewart Gladstone, the historian Thomas Carlyle, and the poet Walter Savage Landor.

Major literary work
In 1842 Tennyson published Poems, in two volumes, one containing a revised selection from the volumes of 1830 and 1832, the other, new poems. The new poems included “Morte d'Arthur,” “The Two Voices,” “Locksley Hall,” and “The Vision of Sin” and other poems that reveal a strange naïveté, such as “The May Queen,” “Lady Clara Vere de Vere,” and “The Lord of Burleigh.” The new volume was not on the whole well received. But the grant to him at this time, by the prime minister, Sir Robert Peel, of a pension of £200 helped to alleviate his financial worries. In 1847 he published his first long poem, The Princess, a singular anti-feminist fantasia.

The year 1850 marked a turning point. Tennyson resumed his correspondence with Emily Sellwood, and their engagement was renewed and followed by marriage. Meanwhile, Edward Moxon offered to publish the elegies on Hallam that Tennyson had been composing over the years. They appeared, at first anonymously, as In Memoriam (1850), which had a great success with both reviewers and the public, won him the friendship of Queen Victoria, and helped bring about, in the same year, his appointment as poet laureate.

In Memoriam is a vast poem of 131 sections of varying length, with a prologue and epilogue. Inspired by the grief Tennyson felt at the untimely death of his friend Hallam, the poem touches on many intellectual issues of the Victorian Age as the author searches for the meaning of life and death and tries to come to terms with his sense of loss. Most notably, In Memoriam reflects the struggle to reconcile traditional religious faith and belief in immortality with the emerging theories of evolution and modern geology. The verses show the development over three years of the poet's acceptance and understanding of his friend's death and conclude with an epilogue, a happy marriage song on the occasion of the wedding of Tennyson's sister Cecilia.

After his marriage, which was happy, Tennyson's life became more secure and outwardly uneventful. There were two sons: Hallam and Lionel. The times of wandering and unsettlement ended in 1853, when the Tennysons took a house, Farringford, in the Isle of Wight. Tennyson was to spend most of the rest of his life there and at Aldworth (near Haslemere, Surrey).

Tennyson's position as the national poet was confirmed by his Ode on the Death of the Duke of Wellington (1852)—though some critics at first thought it disappointing—and the famous poem on the charge of the Light Brigade at Balaklava, published in 1855 in Maud and Other Poems. Maud itself, a strange and turbulent “monodrama,” provoked a storm of protest; many of the poet's admirers were shocked by the morbidity, hysteria, and bellicosity of the hero. Yet Maud was Tennyson's favourite among his poems.

A project that Tennyson had long considered at last issued in Idylls of the King (1859), a series of 12 connected poems broadly surveying the legend of King Arthur from his falling in love with Guinevere to the ultimate ruin of his kingdom. The poems concentrate on the introduction of evil to Camelot because of the adulterous love of Lancelot and Queen Guinevere, and on the consequent fading of the hope that had at first infused the Round Table fellowship. Idylls of the King had an immediate success, and Tennyson, who loathed publicity, had now acquired a sometimes embarrassing public fame. The Enoch Arden volume of 1864 perhaps represents the peak of his popularity. New Arthurian Idylls were published in The Holy Grail, and Other Poems in 1869 (dated 1870). These were again well received, though some readers were beginning to show discomfort at the “Victorian” moral atmosphere that Tennyson had introduced into his source material from Sir Thomas Malory.

In 1874 Tennyson decided to try his hand at poetic drama. Queen Mary appeared in 1875, and an abridged version was produced at the Lyceum in 1876 with only moderate success. It was followed by Harold (1876; dated 1877), Becket (not published in full until 1884), and the “village tragedy” The Promise of May, which proved a failure at the Globe in November 1882. This play—his only prose work—shows Tennyson's growing despondency and resentment at the religious, moral, and political tendencies of the age. He had already caused some sensation by publishing a poem called “Despair” in The Nineteenth Century (November 1881). A more positive indication of Tennyson's later beliefs appears in “The Ancient Sage,” published in Tiresias and Other Poems (1885). Here the poet records his intimations of a life before and beyond this life.

Tennyson accepted a peerage (after some hesitation) in 1884. In 1886 he published a new volume containing “Locksley Hall Sixty Years After,” consisting mainly of imprecations against modern decadence and liberalism and a retraction of the earlier poem's belief in inevitable human progress.

In 1889 Tennyson wrote the famous short poem “Crossing the Bar,” during the crossing to the Isle of Wight. In the same year he published Demeter and Other Poems, which contains the charming retrospective “To Mary Boyle,” “The Progress of Spring,” a fine lyric written much earlier and rediscovered, and “Merlin and the Gleam,” an allegorical summing-up of his poetic career. In 1892 his play The Foresters was successfully produced in New York City. Despite ill health, he was able to correct the proofs of his last volume, The Death of Oenone, Akbar's Dream, and Other Poems (1892).

Assessment
Alfred, Lord Tennyson was the leading poet of the Victorian Age in England and by the mid-19th century had come to occupy a position similar to that of Alexander Pope in the 18th. Tennyson was a consummate poetic artist, consolidating and refining the traditions bequeathed to him by his predecessors in the Romantic movement—especially Wordsworth, Byron, and Keats. His poetry is remarkable for its metrical variety, rich descriptive imagery, and exquisite verbal melodies. But Tennyson was also regarded as the preeminent spokesman for the educated middle-class Englishman, in moral and religious outlook and in political and social consciousness no less than in matters of taste and sentiment. His poetry dealt often with the doubts and difficulties of an age in which established Christian Faith and traditional assumptions about man's nature and destiny were increasingly called into question by science and modern progress. His poetry dealt with these misgivings, moreover, as the intimate personal problems of a sensitive and troubled individual inclined to melancholy. Yet through his poetic mastery—the spaciousness and nobility of his best verse, its classical aptness of phrase, its distinctive harmony—he conveyed to sympathetic readers a feeling of implicit reassurance, even serenity. Tennyson may be seen as the first great English poet to be fully aware of the new picture of man's place in the universe revealed by modern science. While the contemplation of this unprecedented human situation sometimes evoked his fears and forebodings, it also gave him a larger imaginative range than most of the poets of his time and added a greater depth and resonance to his art.

Tennyson's ascendancy among Victorian poets began to be questioned even during his lifetime, however, when Robert Browning and Algernon Charles Swinburne were serious rivals. And 20th-century criticism, influenced by the rise of a new school of poetry headed by T.S. Eliot (though Eliot himself was an admirer of Tennyson), has proposed some drastic devaluations of his work. Undoubtedly much in Tennyson that appealed to his contemporaries has ceased to appeal to many readers today. He can be mawkish and banal, pompous and orotund, offering little more than the mellifluous versifying of shallow or confused thoughts. The rediscovery of such earlier poets as John Donne or Gerard Manley Hopkins (a poet of Tennyson's own time who was then unknown to the public), together with the widespread acceptance of Eliot and W.B. Yeats as the leading modern poets, opened the ears of readers to a very different, and perhaps more varied, poetic music. A more balanced estimate of Tennyson has begun to prevail, however, with the recognition of the enduring greatness of “Ulysses,” the unique poignancy of Tennyson's best lyric poems, and, above all, the stature of In Memoriam as the great representative poem of the Victorian Age. It is now also recognized that the realistic and comic aspects of Tennyson's work are more important than they were thought to be during the period of the reaction against him. Finally, the perception of the poet's awed sense of the mystery of life, which lies at the heart of his greatness, as in “Crossing the Bar” or “Flower in the Crannied Wall,” unites his admirers in this century with those in the last. Though less of Tennyson's work may survive than appeared likely during his Victorian heyday, what does remain—and it is by no means small in quantity—seems likely to be imperishable.

- William Wallace Robson

Hospital Window - Allen Ginsberg


At gauzy dusk, thin haze like cigarette smoke
ribbons past Chrysler Building's silver fins
tapering delicately needletopped, Empire State's
taller antenna filmed milky lit amid blocks
black and white apartmenting veil'd sky over Manhattan,
offices new built dark glassed in blueish heaven--The East
50's & 60's covered with castles & watertowers, seven storied
tar-topped house-banks over York Avenue, late may-green trees
surrounding Rockefellers' blue domed medical arbor--
Geodesic science at the waters edge--Cars running up
East River Drive, & parked at N.Y. Hospital's oval door
where perfect tulips flower the health of a thousand sick souls
trembling inside hospital rooms. Triboro bridge steel-spiked
penthouse orange roofs, sunset tinges the river and in a few
Bronx windows, some magnesium vapor brilliances're
spotted five floors above E 59th St under grey painted bridge
trestles. Way downstream along the river, as Monet saw Thames
100 years ago, Con Edison smokestacks 14th street,
& Brooklyn Bridge's skeined dim in modern mists--
Pipes sticking up to sky nine smokestacks huge visible--
U.N. Building hangs under an orange crane, & red lights on
vertical avenues below the trees turn green at the nod
of a skull with a mild nerve ache. Dim dharma, I return
to this spectacle after weeks of poisoned lassitude, my thighs
belly chest & arms covered with poxied welts,
head pains fading back of the neck, right eyebrow cheek
mouth paralyzed--from taking the wrong medicine, sweated
too much in the forehead helpless, covered my rage from
gorge to prostate with grinding jaw and tightening anus
not released the weeping scream of horror at robot Mayaguez
World self ton billions metal grief unloaded
Pnom Penh to Nakon Thanom, Santiago & Tehran.
Fresh warm breeze in the window, day's release
>from pain, cars float downside the bridge trestle
and uncounted building-wall windows multiplied a mile
deep into ash-delicate sky beguile
my empty mind. A seagull passes alone wings
spread silent over roofs.

Allen Ginsberg

Homework - Allen Ginsberg



Homage to Kenneth Koch


If I were doing my Laundry I'd wash my dirty Iran
I'd throw in my United States, and pour on the Ivory Soap,
scrub up Africa, put all the birds and elephants back in
the jungle,
I'd wash the Amazon river and clean the oily Carib & Gulf of Mexico,
Rub that smog off the North Pole, wipe up all the pipelines in Alaska,
Rub a dub dub for Rocky Flats and Los Alamos, Flush that sparkly
Cesium out of Love Canal
Rinse down the Acid Rain over the Parthenon & Sphinx, Drain the Sludge
out of the Mediterranean basin & make it azure again,
Put some blueing back into the sky over the Rhine, bleach the little
Clouds so snow return white as snow,
Cleanse the Hudson Thames & Neckar, Drain the Suds out of Lake Erie
Then I'd throw big Asia in one giant Load & wash out the blood &
Agent Orange,
Dump the whole mess of Russia and China in the wringer, squeeze out
the tattletail Gray of U.S. Central American police state,
& put the planet in the drier & let it sit 20 minutes or an
Aeon till it came out clean

Allen Ginsberg

Haiku (Never Published) - Allen Ginsberg


Drinking my tea
Without sugar-
No difference.

The sparrow shits
upside down
--ah! my brain & eggs

Mayan head in a
Pacific driftwood bole
--Someday I'll live in N.Y.

Looking over my shoulder
my behind was covered
with cherry blossoms.

Winter Haiku
I didn't know the names
of the flowers--now
my garden is gone.

I slapped the mosquito
and missed.
What made me do that?

Reading haiku
I am unhappy,
longing for the Nameless.

A frog floating
in the drugstore jar:
summer rain on grey pavements.
(after Shiki)

On the porch
in my shorts;
auto lights in the rain.

Another year
has past-the world
is no different.

The first thing I looked for
in my old garden was
The Cherry Tree.

My old desk:
the first thing I looked for
in my house.

My early journal:
the first thing I found
in my old desk.

My mother's ghost:
the first thing I found
in the living room.

I quit shaving
but the eyes that glanced at me
remained in the mirror.

The madman
emerges from the movies:
the street at lunchtime.

Cities of boys
are in their graves,
and in this town...

Lying on my side
in the void:
the breath in my nose.

On the fifteenth floor
the dog chews a bone-
Screech of taxicabs.

A hardon in New York,
a boy
in San Fransisco.

The moon over the roof,
worms in the garden.
I rent this house.


[Haiku composed in the backyard cottage at 1624
Milvia Street, Berkeley 1955, while reading R.H.
Blyth's 4 volumes, "Haiku."]

Allen Ginsberg

Haiku - Allen Ginsberg


Drinking my tea
Without sugar-
No difference.

The sparrow shits
upside down
--ah! my brain & eggs

Mayan head in a
Pacific driftwood bole
--Someday I'll live in N.Y.

Looking over my shoulder
my behind was covered
with cherry blossoms.

Winter Haiku
I didn't know the names
of the flowers--now
my garden is gone.

I slapped the mosquito
and missed.
What made me do that?

Reading haiku
I am unhappy,
longing for the Nameless.

A frog floating
in the drugstore jar:
summer rain on grey pavements.
(after Shiki)

On the porch
in my shorts;
auto lights in the rain.

Another year
has past-the world
is no different.

The first thing I looked for
in my old garden was
The Cherry Tree.

My old desk:
the first thing I looked for
in my house.

My early journal:
the first thing I found
in my old desk.

My mother's ghost:
the first thing I found
in the living room.

I quit shaving
but the eyes that glanced at me
remained in the mirror.

The madman
emerges from the movies:
the street at lunchtime.

Cities of boys
are in their graves,
and in this town...

Lying on my side
in the void:
the breath in my nose.

On the fifteenth floor
the dog chews a bone-
Screech of taxicabs.

A hardon in New York,
a boy
in San Fransisco.

The moon over the roof,
worms in the garden.
I rent this house.

Allen Ginsberg