The cattle thief [Emily Pauline Johnson]

.

Emily Pauline Johnson

They were coming across the prairie, they were
galloping hard and fast;
For the eyes of those desperate riders had sighted
their man at last--
Sighted him off to Eastward, where the Cree
encampment lay,
Where the cotton woods fringed the river, miles and
miles away.
Mistake him? Never! Mistake him? the famous
Eagle Chief!
That terror to all the settlers, that desperate Cattle
Thief--
That monstrous, fearless Indian, who lorded it over
the plain,
Who thieved and raided, and scouted, who rode like
a hurricane!
But they've tracked him across the prairie; they've
followed him hard and fast;
For those desperate English settlers have sighted
their man at last.

Up they wheeled to the tepees, all their British
blood aflame,
Bent on bullets and bloodshed, bent on bringing
down their game;
But they searched in vain for the Cattle Thief: that
lion had left his lair,
And they cursed like a troop of demons--for the
women alone were there.
"The sneaking Indian coward," they hissed; "he
hides while yet he can;
He'll come in the night for cattle, but he's scared
to face a man."
"Never!" and up from the cotton woods rang the
voice of Eagle Chief;
And right out into the open stepped, unarmed, the
Cattle Thief.
Was that the game they had coveted? Scarce fifty
years had rolled
Over that fleshless, hungry frame, starved to the
bone and old;
Over that wrinkled, tawny skin, unfed by the
warmth of blood.
Over those hungry, hollow eyes that glared for the
sight of food.

He turned, like a hunted lion: "I know not fear,"
said he;
And the words outleapt from his shrunken lips in
the language of the Cree.
"I'll fight you, white-skins, one by one, till I
kill you all," he said;
But the threat was scarcely uttered, ere a dozen
balls of lead
Whizzed through the air about him like a shower
of metal rain,
And the gaunt old Indian Cattle Thief dropped
dead on the open plain.
And that band of cursing settlers gave one
triumphant yell,
And rushed like a pack of demons on the body that
writhed and fell.
"Cut the fiend up into inches, throw his carcass
on the plain;
Let the wolves eat the cursed Indian, he'd have
treated us the same."
A dozen hands responded, a dozen knives gleamed
high,
But the first stroke was arrested by a woman's
strange, wild cry.
And out into the open, with a courage past
belief,
She dashed, and spread her blanket o'er the corpse
of the Cattle Thief;
And the words outleapt from her shrunken lips in
the language of the Cree,
"If you mean to touch that body, you must cut
your way through me."
And that band of cursing settlers dropped
backward one by one,
For they knew that an Indian woman roused, was
a woman to let alone.
And then she raved in a frenzy that they scarcely
understood,
Raved of the wrongs she had suffered since her
earliest babyhood:
"Stand back, stand back, you white-skins, touch
that dead man to your shame;
You have stolen my father's spirit, but his body I
only claim.
You have killed him, but you shall not dare to
touch him now he's dead.
You have cursed, and called him a Cattle Thief,
though you robbed him first of bread--
Robbed him and robbed my people--look there, at
that shrunken face,
Starved with a hollow hunger, we owe to you and
your race.
What have you left to us of land, what have you
left of game,
What have you brought but evil, and curses since
you came?
How have you paid us for our game? how paid us
for our land?
By a book, to save our souls from the sins you
brought in your other hand.
Go back with your new religion, we never have
understood
Your robbing an Indian's body, and mocking his
soul with food.
Go back with your new religion, and find--if find
you can--
The honest man you have ever made from out a
starving man.
You say your cattle are not ours, your meat is not
our meat;
When you pay for the land you live in, we'll pay
for the meat we eat.
Give back our land and our country, give back our
herds of game;
Give back the furs and the forests that were ours
before you came;
Give back the peace and the plenty. Then come
with your new belief,
And blame, if you dare, the hunger that drove him to
be a thief."

The cattle country [Emily Pauline Johnson]

.

Emily Pauline Johnson

Up the dusk-enfolded prairie,
Foot-falls, soft and sly,
Velvet cushioned, wild and wary,
Then--the coyote's cry.

Rush of hoofs, and roar and rattle,
Beasts of blood and breed,
Twenty thousand frightened cattle,
Then--the wild stampede.

Pliant lasso circling wider
In the frenzied flight--
Loping horse and cursing rider,
Plunging through the night.

Rim of dawn the darkness losing
Trail of blackened soil;
Perfume of the sage brush oozing
On the air like oil.

Foothills to the Rockies lifting
Brown, and blue, and green,
Warm Alberta sunlight drifting
Over leagues between.

That's the country of the ranges,
Plain and prairie land,
And the God who never changes
Holds it in His hand.

The camper [Emily Pauline Johnson]

.

Emily Pauline Johnson

Night 'neath the northern skies, lone, black, and grim:
Naught but the starlight lies 'twixt heaven, and him.

Of man no need has he, of God, no prayer;
He and his Deity are brothers there.

Above his bivouac the firs fling down
Through branches gaunt and black, their needles brown.

Afar some mountain streams, rockbound and fleet,
Sing themselves through his dreams in cadence sweet,

The pine trees whispering, the heron's cry,
The plover's passing wing, his lullaby.

And blinking overhead the white stars keep
Watch o'er his hemlock bed--his sinless sleep.

The ballad of yaada (a legend of the pacific coast)

.

Emily Pauline Johnson

There are fires on Lulu Island, and the sky is opalescent
With the pearl and purple tinting from the smouldering of peat.
And the Dream Hills lift their summits in a sweeping, hazy crescent,
With the Capilano canyon at their feet.

There are fires on Lulu Island, and the smoke, uplifting, lingers
In a faded scarf of fragrance as it creeps across the day,
And the Inlet and the Narrows blur beneath its silent fingers,
And the canyon is enfolded in its grey.

But the sun its face is veiling like a cloistered nun at vespers;
As towards the alter candles of the night a censer swings,
And the echo of tradition wakes from slumbering and whispers,
Where the Capilano river sobs and sings.

It was Yaada, lovely Yaada, who first taught the stream its sighing,
For 'twas silent till her coming, and 'twas voiceless as the shore;
But throughout the great forever it will sing the song undying
That the lips of lovers sing for evermore.

He was chief of all the Squamish, and he ruled the coastal waters--
And he warred upon her people in the distant Charlotte Isles;
She, a winsome basket weaver, daintiest of Haida daughters,
Made him captive to her singing and her smiles.

Till his hands forgot to havoc and his weapons lost their lusting,
Till his stormy eyes allured her from the land of Totem Poles,
Till she followed where he called her, followed with a woman's trusting,
To the canyon where the Capilano rolls.

And the women of the Haidas plied in vain their magic power,
Wailed for many moons her absence, wailed for many moons their prayer,

The art of alma-tadema [Emily Pauline Johnson]

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Emily Pauline Johnson

There is no song his colours cannot sing,
For all his art breathes melody, and tunes
The fine, keen beauty that his brushes bring
To murmuring marbles and to golden Junes.

The music of those marbles you can hear
In every crevice, where the deep green stains
Have sunken when the grey days of the year
Spilled leisurely their warm, incessant rains

That, lingering, forget to leave the ledge,
But drenched into the seams, amid the hush
Of ages, leaving but the silent pledge
To waken to the wonder of his brush.

And at the Master's touch the marbles leap
To life, the creamy onyx and the skins
Of copper-coloured leopards, and the deep,
Cool basins where the whispering water wins

Reflections from the gold and glowing sun,
And tints from warm, sweet human flesh, for fair
And subtly lithe and beautiful, leans one--
A goddess with a wealth of tawny hair.

The archers [Emily Pauline Johnson]

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Emily Pauline Johnson

I

Stripped to the waist, his copper-coloured skin
Red from the smouldering heat of hate within,
Lean as a wolf in winter, fierce of mood--
As all wild things that hunt for foes, or food--
War paint adorning breast and thigh and face,
Armed with the ancient weapons of his race,
A slender ashen bow, deer sinew strung,
And flint-tipped arrow each with poisoned tongue,--
Thus does the Red man stalk to death his foe,
And sighting him strings silently his bow,
Takes his unerring aim, and straight and true
The arrow cuts in flight the forest through,
A flint which never made for mark and missed,
And finds the heart of his antagonist.
Thus has he warred and won since time began,
Thus does the Indian bring to earth his man.

II

Ungarmented, save for a web that lies
In fleecy folds across his impish eyes,
A tiny archer takes his way intent
On mischief, which is his especial bent.
Across his shoulder lies a quiver, filled
With arrows dipped in honey, thrice distilled
From all the roses brides have ever worn
Since that first wedding out of Eden born.
Beneath a cherub face and dimpled smile
This youthful hunter hides a heart of guile;
His arrows aimed at random fly in quest
Of lodging-place within some blameless breast.
But those he wounds die happily, and so
Blame not young Cupid with his dart and bow:
Thus has he warred and won since time began,
Transporting into Heaven both maid and man.

Silhouette [Emily Pauline Johnson]

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Emily Pauline Johnson

The sky-line melts from russet into blue,
Unbroken the horizon, saving where
A wreath of smoke curls up the far, thin air,
And points the distant lodges of the Sioux.

Etched where the lands and cloudlands touch and die
A solitary Indian tepee stands,
The only habitation of these lands,
That roll their magnitude from sky to sky.

The tent poles lift and loom in thin relief,
The upward floating smoke ascends between,
And near the open doorway, gaunt and lean,
And shadow-like, there stands an Indian Chief.

With eyes that lost their lustre long ago,
With visage fixed and stern as fate's decree,
He looks towards the empty west, to see
The never-coming herd of buffalo.

Only the bones that bleach upon the plains,
Only the fleshless skeletons that lie
In ghastly nakedness and silence, cry
Out mutely that naught else to him remains

Shadow river [Emily Pauline Johnson]

.

Emily Pauline Johnson

MUSKOKA

A stream of tender gladness,
Of filmy sun, and opal tinted skies;
Of warm midsummer air that lightly lies
In mystic rings,
Where softly swings
The music of a thousand wings
That almost tones to sadness.

Midway 'twixt earth and heaven,
A bubble in the pearly air, I seem
To float upon the sapphire floor, a dream
Of clouds of snow,
Above, below,
Drift with my drifting, dim and slow,
As twilight drifts to even.

The little fern-leaf, bending
Upon the brink, its green reflection greets,
And kisses soft the shadow that it meets
With touch so fine,
The border line
The keenest vision can't define;
So perfect is the blending.

The far, fir trees that cover
The brownish hills with needles green and gold,
The arching elms o'erhead, vinegrown and old,
Repictured are
Beneath me far,
Where not a ripple moves to mar
Shades underneath, or over.

Mine is the undertone;
The beauty, strength, and power of the land
Will never stir or bend at my command;
But all the shade
Is marred or made,
If I but dip my paddle blade;
And it is mine alone.

O! pathless world of seeming!
O! pathless life of mine whose deep ideal
Is more my own than ever was the real.
For others Fame
And Love's red flame,
And yellow gold: I only claim
The shadows and the dreaming.

Re-voyage [Emily Pauline Johnson]

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Emily Pauline Johnson

What of the days when we two dreamed together?
Days marvellously fair,
As lightsome as a skyward floating feather
Sailing on summer air--
Summer, summer, that came drifting through
Fate's hand to me, to you.

What of the days, my dear? I sometimes wonder
If you too wish this sky
Could be the blue we sailed so softly under,
In that sun-kissed July;
Sailed in the warm and yellow afternoon,
With hearts in touch and tune.

Have you no longing to re-live the dreaming,
Adrift in my canoe?
To watch my paddle blade all wet and gleaming
Cleaving the waters through?
To lie wind-blown and wave-caressed, until
Your restless pulse grows still?

Do you not long to listen to the purling
Of foam athwart the keel?
To hear the nearing rapids softly swirling
Among their stones, to feel
The boat's unsteady tremor as it braves
The wild and snarling waves?

What need of question, what of your replying?
Oh! well I know that you
Would toss the world away to be but lying
Again in my canoe,
In listless indolence entranced and lost,
Wave-rocked, and passion tossed.

Ah me! my paddle failed me in the steering
Across love's shoreless seas;
All reckless, I had ne'er a thought of fearing
Such dreary days as these,
When through the self-same rapids we dash by,
My lone canoe and I.

Rainfall [Emily Pauline Johnson]

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Emily Pauline Johnson

From out the west, where darkling storm-clouds float,
The 'waking wind pipes soft its rising note.

From out the west, o'erhung with fringes grey,
The wind preludes with sighs its roundelay,

Then blowing, singing, piping, laughing loud,
It scurries on before the grey storm-cloud;

Across the hollow and along the hill
It whips and whirls among the maples, till

With boughs upbent, and green of leaves blown wide,
The silver shines upon their underside.

A gusty freshening of humid air,
With showers laden, and with fragrance rare;

And now a little sprinkle, with a dash
Of great cool drops that fall with sudden splash;

Then over field and hollow, grass and grain,
The loud, crisp whiteness of the nearing rain.

Prairie greyhounds (C.P.R. "NO. 1," WESTBOUND)

.

Emily Pauline Johnson

I swing to the sunset land--
The world of prairie, the world of plain,
The world of promise and hope and gain,
The world of gold, and the world of grain,
And the world of the willing hand.

I carry the brave and bold--
The one who works for the nation's bread,
The one whose past is a thing that's dead,
The one who battles and beats ahead,
And the one who goes for gold.

I swing to the "Land to Be,"
I am the power that laid its floors,
I am the guide to its western stores,
I am the key to its golden doors,
That open alone to me.

Penseroso [Emily Pauline Johnson]

.

Emily Pauline Johnson

Soulless is all humanity to me
To-night. My keenest longing is to be
Alone, alone with God's grey earth that seems
Pulse of my pulse and consort of my dreams.

To-night my soul desires no fellowship,
Or fellow-being; crave I but to slip
Thro' space on space, till flesh no more can bind,
And I may quit for aye my fellow kind.

Let me but feel athwart my cheek the lash
Of whipping wind, but hear the torrent dash
Adown the mountain steep, 'twere more my choice
Than touch of human hand, than human voice.

Let me but wander on the shore night-stilled,
Drinking its darkness till my soul is filled;
The breathing of the salt sea on my hair,
My outstretched hands but grasping empty air.

Let me but feel the pulse of Nature's soul
Athrob on mine, let seas and thunders roll
O'er night and me; sands whirl; winds, waters beat;
For God's grey earth has no cheap counterfeit.

Overlooked [Emily Pauline Johnson]

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Emily Pauline Johnson

Sleep, with her tender balm, her touch so kind,
Has passed me by;
Afar I see her vesture, velvet-lined,
Float silently;
O! Sleep, my tired eyes had need of thee!
Is thy sweet kiss not meant to-night for me?

Peace, with the blessings that I longed for so,
Has passed me by;
Where'er she folds her holy wings I know
All tempests die;
O! Peace, my tired soul had need of thee!
Is thy sweet kiss denied alone to me?

Love, with her heated touches, passion-stirred,
Has passed me by.
I called, "O stay thy flight," but all unheard
My lonely cry:
O! Love, my tired heart had need of thee!
Is thy sweet kiss withheld alone from me?

Sleep, sister-twin of Peace, my waking eyes
So weary grow!
O! Love, thou wanderer from Paradise,
Dost thou not know
How oft my lonely heart has cried to thee?
But Thou, and Sleep, and Peace, come not to me.

Ojistoh [Emily Pauline Johnson]

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Emily Pauline Johnson

I am Ojistoh, I am she, the wife
Of him whose name breathes bravery and life
And courage to the tribe that calls him chief.
I am Ojistoh, his white star, and he
Is land, and lake, and sky--and soul to me.

Ah! but they hated him, those Huron braves,
Him who had flung their warriors into graves,
Him who had crushed them underneath his heel
Whose arm was iron, and whose heart was steel
To all--save me, Ojistoh, chosen wife
Of my great Mohawk, white star of his life.

Ah! but they hated him, and councilled long
With subtle witchcraft how to work him wrong;
How to avenge their dead, and strike him where
His pride was highest, and his fame most fair.
Their hearts grew weak as women at his name:
They dared no war-path since my Mohawk came
With ashen bow, and flinten arrow-head
To pierce their craven bodies; but their dead
Must be avenged. Avenged? They dared not walk
In day and meet his deadly tomahawk;
They dared not face his fearless scalping knife;
So--Niyoh!*--then they thought of me, his wife.

O! evil, evil face of them they sent
With evil Huron speech: "Would I consent
To take of wealth? be queen of all their tribe?
Have wampum ermine?" Back I flung the bribe
Into their teeth, and said, "While I have life
Know this--Ojistoh is the Mohawk's wife."

Wah! how we struggled! But their arms were strong.
They flung me on their pony's back, with thong
Round ankle, wrist, and shoulder. Then upleapt
The one I hated most: his eye he swept
Over my misery, and sneering said,
"Thus, fair Ojistoh, we avenge our dead."

And we two rode, rode as a sea wind-chased,
I, bound with buckskin to his hated waist,
He, sneering, laughing, jeering, while he lashed
The horse to foam, as on and on we dashed.
Plunging through creek and river, bush and trail,
On, on we galloped like a northern gale.
At last, his distant Huron fires aflame
We saw, and nearer, nearer still we came.

I, bound behind him in the captive's place,
Scarely could see the outline of his face.
I smiled, and laid my cheek against his back:
"Loose thou my hands," I said. "This pace let slack.
Forget we now that thou and I are foes.
I like thee well, and wish to clasp thee close;
I like the courage of thine eye and brow;
I like thee better than my Mohawk now."

He cut the cords; we ceased our maddened haste
I wound my arms about his tawny waist;
My hand crept up the buckskin of his belt;
His knife hilt in my burning palm I felt;
One hand caressed his cheek, the other drew
The weapon softly--"I love you, love you,"
I whispered, "love you as my life."
And--buried in his back his scalping knife.

Ha! how I rode, rode as a sea wind-chased,
Mad with sudden freedom, mad with haste,
Back to my Mohawk and my home. I lashed
That horse to foam, as on and on I dashed.
Plunging thro' creek and river, bush and trail,
On, on I galloped like a northern gale.
And then my distant Mohawk's fires aflame
I saw, as nearer, nearer still I came,
My hands all wet, stained with a life's red dye,
But pure my soul, pure as those stars on high--
"My Mohawk's pure white star, Ojistoh, still am I."

Nocturne [Emily Pauline Johnson]

.

Emily Pauline Johnson

Night of Mid-June, in heavy vapours dying,
Like priestly hands thy holy touch is lying
Upon the world's wide brow;
God-like and grand all nature is commanding
The "peace that passes human understanding";
I, also, feel it now.

What matters it to-night, if one life treasure
I covet, is not mine! Am I to measure
The gifts of Heaven's decree
By my desires? O! life for ever longing
For some far gift, where many gifts are thronging,
God wills, it may not be.

Am I to learn that longing, lifted higher,
Perhaps will catch the gleam of sacred fire
That shows my cross is gold?
That underneath this cross--however lowly,
A jewel rests, white, beautiful and holy,
Whose worth can not be told.

Like to a scene I watched one day in wonder:--
A city, great and powerful, lay under
A sky of grey and gold;
The sun outbreaking in his farewell hour,
Was scattering afar a yellow shower
Of light, that aureoled

With brief hot touch, so marvellous and shining,
A hundred steeples on the sky out-lining,
Like network threads of fire;
Above them all, with halo far outspreading,
I saw a golden cross in glory heading
A consecrated spire:

I only saw its gleaming form uplifting,
Against the clouds of grey to seaward drifting,
And yet I surely know
Beneath the seen, a great unseen is resting,
For while the cross that pinnacle is cresting,
An Altar lies below.

. . . . .

Night of Mid-June, so slumberous and tender,
Night of Mid-June, transcendent in thy splendour
Thy silent wings enfold
And hush my longing, as at thy desire
All colour fades from round that far-off spire,
Except its cross of gold.

My english letter [Emily Pauline Johnson]

.

Emily Pauline Johnson

When each white moon, her lantern idly swinging,
Comes out to join the star night-watching band,
Across the grey-green sea, a ship is bringing
For me a letter, from the Motherland.

Naught would I care to live in quaint old Britain,
These wilder shores are dearer far to me,
Yet when I read the words that hand has written,
The parent sod more precious seems to be.

Within that folded note I catch the savour
Of climes that make the Motherland so fair,
Although I never knew the blessed favour
That surely lies in breathing English air.

Imagination's brush before me fleeing,
Paints English pictures, though my longing eyes
Have never known the blessedness of seeing
The blue that lines the arch of English skies.

And yet my letter brings the scenes I covet,
Framed in the salt sea winds, aye more in dreams
I almost see the face that bent above it,
I almost touch that hand, so near it seems.

Near, for the very grey-green sea that dashes
'Round these Canadian coasts, rolls out once more
To Eastward, and the same Atlantic splashes
Her wild white spray on England's distant shore.

Near, for the same young moon so idly swinging
Her threadlike crescent bends the selfsame smile
On that old land from whence a ship is bringing
My message from the transatlantic Isle.

Thus loves my heart that far old country better,
Because of those dear words that always come,
With love enfolded in each English letter
That drifts into my sun-kissed Western home.

Mosses [Emily Pauline Johnson]

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Emily Pauline Johnson

The lost wind wandering, forever grieves
Low overhead,
Above grey mosses whispering of leaves
Fallen and dead.
And through the lonely night sweeps their refrain
Like Chopin's prelude, sobbing 'neath the rain.

Moonset [Emily Pauline Johnson]

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Emily Pauline Johnson

Idles the night wind through the dreaming firs,
That waking murmur low,
As some lost melody returning stirs
The love of long ago;
And through the far, cool distance, zephyr fanned.
The moon is sinking into shadow-land.

The troubled night-bird, calling plaintively,
Wanders on restless wing;
The cedars, chanting vespers to the sea,
Await its answering,
That comes in wash of waves along the strand,
The while the moon slips into shadow-land.

O! soft responsive voices of the night
I join your minstrelsy,
And call across the fading silver light
As something calls to me;
I may not all your meaning understand,
But I have touched your soul in shadow-land.

Marshlands [Emily Pauline Johnson]

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Emily Pauline Johnson

A thin wet sky, that yellows at the rim,
And meets with sun-lost lip the marsh's brim.

The pools low lying, dank with moss and mould,
Glint through their mildews like large cups of gold.

Among the wild rice in the still lagoon,
In monotone the lizard shrills his tune.

The wild goose, homing, seeks a sheltering,
Where rushes grow, and oozing lichens cling.

Late cranes with heavy wing, and lazy flight,
Sail up the silence with the nearing night.

And like a spirit, swathed in some soft veil,
Steals twilight and its shadows o'er the swale.

Hushed lie the sedges, and the vapours creep,
Thick, grey and humid, while the marshes sleep.

Lullaby of the iroquois [Emily Pauline Johnson]

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Emily Pauline Johnson

Little brown baby-bird, lapped in your nest,
Wrapped in your nest,
Strapped in your nest,
Your straight little cradle-board rocks you to rest;
Its hands are your nest;
Its bands are your nest;
It swings from the down-bending branch of the oak;
You watch the camp flame, and the curling grey smoke;
But, oh, for your pretty black eyes sleep is best,--
Little brown baby of mine, go to rest.

Little brown baby-bird swinging to sleep,
Winging to sleep,
Singing to sleep,
Your wonder-black eyes that so wide open keep,
Shielding their sleep,
Unyielding to sleep,
The heron is homing, the plover is still,
The night-owl calls from his haunt on the hill,
Afar the fox barks, afar the stars peep,--
Little brown baby of mine, go to sleep.

Low tide at st. andrews [Emily Pauline Johnson]

.

Emily Pauline Johnson

(NEW BRUNSWICK)

The long red flats stretch open to the sky,
Breathing their moisture on the August air.
The seaweeds cling with flesh-like fingers where
The rocks give shelter that the sands deny;
And wrapped in all her summer harmonies
St. Andrews sleeps beside her sleeping seas.

The far-off shores swim blue and indistinct,
Like half-lost memories of some old dream.
The listless waves that catch each sunny gleam
Are idling up the waterways land-linked,
And, yellowing along the harbour's breast,
The light is leaping shoreward from the west.

And naked-footed children, tripping down,
Light with young laughter, daily come at eve
To gather dulse and sea clams and then heave
Their loads, returning laden to the town,
Leaving a strange grey silence when they go,--
The silence of the sands when tides are low.

Lady lorgnette [Emily Pauline Johnson]

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Emily Pauline Johnson

I

Lady Lorgnette, of the lifted lash,
The curling lip and the dainty nose,
The shell-like ear where the jewels flash,
The arching brow and the languid pose,
The rare old lace and the subtle scents,
The slender foot and the fingers frail,--
I may act till the world grows wild and tense,
But never a flush on your features pale.
The footlights glimmer between us two,--
You in the box and I on the boards,--
I am only an actor, Madame, to you,
A mimic king 'mid his mimic lords,
For you are the belle of the smartest set,
Lady Lorgnette.

II

Little Babette, with your eyes of jet,
Your midnight hair and your piquant chin,
Your lips whose odours of violet
Drive men to madness and saints to sin,--
I see you over the footlights' glare
Down in the pit 'mid the common mob,--
Your throat is burning, and brown, and bare,
You lean, and listen, and pulse, and throb;
The viols are dreaming between us two,
And my gilded crown is no make-believe,
I am more than an actor, dear, to you,
For you called me your king but yester eve,
And your heart is my golden coronet,
Little Babette.

Lady icicle [Emily Pauline Johnson]

.

Emily Pauline Johnson

Little Lady Icicle is dreaming in the north-land
And gleaming in the north-land, her pillow all a-glow;
For the frost has come and found her
With an ermine robe around her
Where little Lady Icicle lies dreaming in the snow.

Little Lady Icicle is waking in the north-land,
And shaking in the north-land her pillow to and fro;
And the hurricane a-skirling
Sends the feathers all a-whirling
Where little Lady Icicle is waking in the snow.

Little Lady Icicle is laughing in the north-land,
And quaffing in the north-land her wines that overflow;
All the lakes and rivers crusting
That her finger-tips are dusting,
Where little Lady Icicle is laughing in the snow.

Little Lady Icicle is singing in the north-land,
And bringing from the north-land a music wild and low;
And the fairies watch and listen
Where her silver slippers glisten,
As little Lady Icicle goes singing through the snow.

Little Lady Icicle is coming from the north-land,
Benumbing all the north-land where'er her feet may go;
With a fringe of frost before her
And a crystal garment o'er her,
Little Lady Icicle is coming with the snow.

In the shadows [Emily Pauline Johnson]

.

Emily Pauline Johnson

I am sailing to the leeward,
Where the current runs to seaward
Soft and slow,
Where the sleeping river grasses
Brush my paddle as it passes
To and fro.

On the shore the heat is shaking
All the golden sands awaking
In the cove;
And the quaint sand-piper, winging
O'er the shallows, ceases singing
When I move.

On the water's idle pillow
Sleeps the overhanging willow,
Green and cool;
Where the rushes lift their burnished
Oval heads from out the tarnished
Emerald pool.

Where the very silence slumbers,
Water lilies grow in numbers,
Pure and pale;
All the morning they have rested,
Amber crowned, and pearly crested,
Fair and frail.

Here, impossible romances,
Indefinable sweet fancies,
Cluster round;
But they do not mar the sweetness
Of this still September fleetness
With a sound.

I can scarce discern the meeting
Of the shore and stream retreating,
So remote;
For the laggard river, dozing,
Only wakes from its reposing
Where I float.

Where the river mists are rising,
All the foliage baptizing
With their spray;
There the sun gleams far and faintly,
With a shadow soft and saintly,
In its ray.

And the perfume of some burning
Far-off brushwood, ever turning
To exhale
All its smoky fragrance dying,
In the arms of evening lying,
Where I sail.

My canoe is growing lazy,
In the atmosphere so hazy,
While I dream;
Half in slumber I am guiding,
Eastward indistinctly gliding
Down the stream.

In grey days [Emily Pauline Johnson]

.

Emily Pauline Johnson

Measures of oil for others,
Oil and red wine,
Lips laugh and drink, but never
Are the lips mine.

Worlds at the feet of others,
Power gods have known,
Hearts for the favoured round me
Mine beats, alone.

Fame offering to others
Chaplets of bays,
I with no crown of laurels,
Only grey days.

Sweet human love for others,
Deep as the sea,
God-sent unto my neighbour--
But not to me.

Sometime I'll wrest from others
More than all this,
I shall demand from Heaven
Far sweeter bliss.

What profit then to others,
Laughter and wine?
I'll have what most they covet--
Death, will be mine.

Harvest time [Emily Pauline Johnson]

.

Emily Pauline Johnson

Pillowed and hushed on the silent plain,
Wrapped in her mantle of golden grain,

Wearied of pleasuring weeks away,
Summer is lying asleep to-day,--

Where winds come sweet from the wild-rose briers
And the smoke of the far-off prairie fires;

Yellow her hair as the goldenrod,
And brown her cheeks as the prairie sod;

Purple her eyes as the mists that dream
At the edge of some laggard sun-drowned stream;

But over their depths the lashes sweep,
For Summer is lying to-day asleep.

The north wind kisses her rosy mouth,
His rival frowns in the far-off south,

And comes caressing her sunburnt cheek,
And Summer awakes for one short week,--

Awakes and gathers her wealth of grain,
Then sleeps and dreams for a year again.

Hare-bell [Emily Pauline Johnson]

.

Emily Pauline Johnson

Elfin bell in azure dress,
Chiming all day long,
Ringing through the wilderness
Dulcet notes of song.
Daintiest of forest flowers
Weaving like a spell--
Music through the Autumn hours,
Little Elfin bell.

Guard of the eastern gate [Emily Pauline Johnson]

.

Emily Pauline Johnson

Halifax sits on her hills by the sea
In the might of her pride,--
Invincible, terrible, beautiful, she
With a sword at her side.

To right and to left of her, battlements rear
And fortresses frown;
While she sits on her throne without favour or fear
With her cannon as crown.

Coast guard and sentinel, watch of the weal
Of a nation she keeps;
But her hand is encased in a gauntlet of steel,
And her thunder but sleeps.

Good-bye [Emily Pauline Johnson]

.

Emily Pauline Johnson

Sounds of the seas grow fainter,
Sounds of the sands have sped;
The sweep of gales,
The far white sails,
Are silent, spent and dead.

Sounds of the days of summer
Murmur and die away,
And distance hides
The long, low tides,
As night shuts out the day.

Golden--of the selkirks [Emily Pauline Johnson]

.

Emily Pauline Johnson

A trail upwinds from Golden;
It leads to a land God only knows,
To the land of eternal frozen snows,
That trail unknown and olden.

And they tell a tale that is strange and wild--
Of a lovely and lonely mountain child
That went up the trail from Golden.

A child in the sweet of her womanhood,
Beautiful, tender, grave and good
As the saints in time long olden.

And the days count not, nor the weeks avail;
For the child that went up the mountain trail
Came never again to Golden.

And the watchers wept in the midnight gloom,
Where the canyons yawn and the Selkirks loom,
For the love that they knew of olden.

And April dawned, with its suns aflame,
And the eagles wheeled and the vultures came
And poised o'er the town of Golden.

God of the white eternal peaks,
Guard the dead while the vulture seeks!--
God of the days so olden.

For only God in His greatness knows
Where the mountain holly above her grows,
On the trail that leads from Golden.

Fire-flowers [Emily Pauline Johnson]

.

Emily Pauline Johnson

And only where the forest fires have sped,
Scorching relentlessly the cool north lands,
A sweet wild flower lifts its purple head,
And, like some gentle spirit sorrow-fed,
It hides the scars with almost human hands.

And only to the heart that knows of grief,
Of desolating fire, of human pain,
There comes some purifying sweet belief,
Some fellow-feeling beautiful, if brief.
And life revives, and blossoms once again

Finale [Emily Pauline Johnson (Tekahionwake)] 1861 - 1914

.

Emily Pauline Johnson

The cedar trees have sung their vesper hymn,
And now the music sleeps--
Its benediction falling where the dim
Dusk of the forest creeps.
Mute grows the great concerto--and the light
Of day is darkening, Good-night, Good-night.
But through the night time I shall hear within
The murmur of these trees,
The calling of your distant violin
Sobbing across the seas,
And waking wind, and star-reflected light
Shall voice my answering. Good-night, Good-night.

Fasting [Emily Pauline Johnson (Tekahionwake)] 1861 - 1914

.

Emily Pauline Johnson

'Tis morning now, yet silently I stand,
Uplift the curtain with a weary hand,
Look out while darkness overspreads the way,
And long for day.

Calm peace is frighted with my mood to-night,
Nor visits my dull chamber with her light,
To guide my senses into her sweet rest
And leave me blest.

Long hours since the city rocked and sung
Itself to slumber: only the stars swung
Aloft their torches in the midnight skies
With watchful eyes.

No sound awakes; I, even, breathe no sigh,
Nor hear a single footstep passing by;
Yet I am not alone, for now I feel
A presence steal

Within my chamber walls; I turn to see
The sweetest guest that courts humanity;
With subtle, slow enchantment draws she near,
And Sleep is here.

What care I for the olive branch of Peace?
Kind Sleep will bring a thrice-distilled release,
Nepenthes, that alone her mystic hand
Can understand.

And so she bends, this welcome sorceress,
To crown my fasting with her light caress.
Ah, sure my pain will vanish at the bliss
Of her warm kiss.

But still my duty lies in self-denial;
I must refuse sweet Sleep, although the trial
Will reawaken all my depth of pain.
So once again

I lift the curtain with a weary hand,
With more than sorrow, silently I stand,
Look out while darkness overspreads the way,
And long for day.

"Go, Sleep," I say, "before the darkness die,
To one who needs you even more than I,
For I can bear my part alone, but he
Has need of thee.

"His poor tired eyes in vain have sought relief,
His heart more tired still, with all its grief;
His pain is deep, while mine is vague and dim,
Go thou to him.

"When thou hast fanned him with thy drowsy wings,
And laid thy lips upon the pulsing strings
That in his soul with fret and fever burn,
To me return."

She goes. The air within the quiet street
Reverberates to the passing of her feet;
I watch her take her passage through the gloom
To your dear home.

Beloved, would you knew how sweet to me
Is this denial, and how fervently
I pray that Sleep may lift you to her breast,
And give you rest--

A privilege that she alone can claim.
Would that my heart could comfort you the same,
But in the censer Sleep is swinging high,
All sorrows die.

She comes not back, yet all my miseries
Wane at the thought of your calm sleeping eyes--
Wane, as I hear the early matin bell
The dawn foretell.

And so, dear heart, still silently I stand,
Uplift the curtain with a weary hand,
The long, long night has bitter been and lone,
But now 'tis gone.

Dawn lights her candles in the East once more,
And darkness flees her chariot before;
The Lenten morning breaks with holy ray,
And it is day!

Erie waters [Emily Pauline Johnson (Tekahionwake)]

.

Emily Pauline Johnson

A dash of yellow sand,
Wind-scattered and sun-tanned;
Some waves that curl and cream along the margin of the strand;
And, creeping close to these
Long shores that lounge at ease,
Old Erie rocks and ripples to a fresh sou'-western breeze.

A sky of blue and grey;
Some stormy clouds that play
At scurrying up with ragged edge, then laughing blow away,
Just leaving in their trail
Some snatches of a gale;
To whistling summer winds we lift a single daring sail.

O! wind so sweet and swift,
O! danger-freighted gift
Bestowed on Erie with her waves that foam and fall and lift,
We laugh in your wild face,
And break into a race
With flying clouds and tossing gulls that weave and interlace.

Easter [Emily Pauline Johnson (Tekahionwake)]

.

Emily Pauline Johnson

Lent gathers up her cloak of sombre shading
In her reluctant hands.
Her beauty heightens, fairest in its fading,
As pensively she stands
Awaiting Easter's benediction falling,
Like silver stars at night,
Before she can obey the summons calling
Her to her upward flight,
Awaiting Easter's wings that she must borrow
Ere she can hope to fly--
Those glorious wings that we shall see to-morrow
Against the far, blue sky.
Has not the purple of her vesture's lining
Brought calm and rest to all?
Has her dark robe had naught of golden shining
Been naught but pleasure's pall?
Who knows? Perhaps when to the world returning
In youth's light joyousness,
We'll wear some rarer jewels we found burning
In Lent's black-bordered dress.
So hand in hand with fitful March she lingers
To beg the crowning grace
Of lifting with her pure and holy fingers
The veil from April's face.
Sweet, rosy April--laughing, sighing, waiting
Until the gateway swings,
And she and Lent can kiss between the grating
Of Easter's tissue wings.
Too brief the bliss--the parting comes with sorrow.
Good-bye dear Lent, good-bye!
We'll watch your fading wings outlined to-morrow
Against the far blue sky.

Day dawn [Emily Pauline Johnson (Tekahionwake)]

.

Emily Pauline Johnson

All yesterday the thought of you was resting in my soul,
And when sleep wandered o'er the world that very thought she stole
To fill my dreams with splendour such as stars could not eclipse,
And in the morn I wakened with your name upon my lips.

Awakened, my beloved, to the morning of your eyes,
Your splendid eyes, so full of clouds, wherein a shadow tries
To overcome the flame that melts into the world of grey,
As coming suns dissolve the dark that veils the edge of day.

Cool drifts the air at dawn of day, cool lies the sleeping dew,
But all my heart is burning, for it woke from dreams of you;
And O! these longing eyes of mine look out and only see
A dying night, a waking day, and calm on all but me.

So gently creeps the morning through the heavy air,
The dawn grey-garbed and velvet-shod is wandering everywhere
To wake the slumber-laden hours that leave their dreamless rest,
With outspread, laggard wings to court the pillows of the west.

Up from the earth a moisture steals with odours fresh and soft,
A smell of moss and grasses warm with dew, and far aloft
The stars are growing colourless, while drooping in the west,
A late, wan moon is paling in a sky of amethyst.

The passing of the shadows, as they waft their pinions near,
Has stirred a tender wind within the night-hushed atmosphere,
That in its homeless wanderings sobs in an undertone
An echo to my heart that sobbing calls for you alone.

The night is gone, beloved, and another day set free,
Another day of hunger for the one I may not see.
What care I for the perfect dawn? the blue and empty skies?
The night is always mine without the morning of your eyes.

Dawendine [Emily Pauline Johnson]

.

Emily Pauline Johnson

There's a spirit on the river, there's a ghost upon the shore,
They are chanting, they are singing through the starlight evermore,
As they steal amid the silence,
And the shadows of the shore.

You can hear them when the Northern candles light the Northern sky,
Those pale, uncertain candle flames, that shiver, dart and die,
Those dead men's icy finger tips,
Athwart the Northern sky.

You can hear the ringing war-cry of a long-forgotten brave
Echo through the midnight forest, echo o'er the midnight wave,
And the Northern lanterns tremble
At the war-cry of that brave.

And you hear a voice responding, but in soft and tender song;
It is Dawendine's spirit singing, singing all night long;
And the whisper of the night wind
Bears afar her Spirit song.

And the wailing pine trees murmur with their voice attuned to hers,
Murmur when they 'rouse from slumber as the night wind through them stirs;
And you listen to their legend,
And their voices blend with hers.

There was feud and there was bloodshed near the river by the hill;
And Dawendine listened, while her very heart stood still:
Would her kinsman or her lover
Be the victim by the hill?

Who would be the great unconquered? who come boasting how he dealt
Death? and show his rival's scalplock fresh and bleeding at his belt.
Who would say, "O Dawendine!
Look upon the death I dealt?"

And she listens, listens, listens--till a war-cry rends the night,
Cry of her victorious lover, monarch he of all the height;
And his triumph wakes the horrors,
Kills the silence of the night.

Heart of her! it throbs so madly, then lies freezing in her breast,
For the icy hand of death has chilled the brother she loved best;
And her lover dealt the death-blow;
And her heart dies in her breast.

And she hears her mother saying, "Take thy belt of wampum white;
Go unto yon evil savage while he glories on the height;
Sing and sue for peace between us:
At his feet lay wampum white.

"Lest thy kinsmen all may perish, all thy brothers and thy sire
Fall before his mighty hatred as the forest falls to fire;
Take thy wampum pale and peaceful,
Save thy brothers, save thy sire."

And the girl arises softly, softly slips toward the shore;
Loves she well the murdered brother, loves his hated foeman more,
Loves, and longs to give the wampum;
And she meets him on the shore.

"Peace," she sings, "O mighty victor, Peace! I bring thee wampum white.
Sheathe thy knife whose blade has tasted my young kinsman's blood to-night
Ere it drink to slake its thirsting,
I have brought thee wampum white."

Answers he, "O Dawendine! I will let thy kinsmen be,
I accept thy belt of wampum; but my hate demands for me
That they give their fairest treasure,
Ere I let thy kinsmen be.

"Dawendine, for thy singing, for thy suing, war shall cease;
For thy name, which speaks of dawning, Thou shalt be the dawn of peace;
For thine eyes whose purple shadows tell of dawn,
My hate shall cease.

"Dawendine, Child of Dawning, hateful are thy kin to me;
Red my fingers with their heart blood, but my heart is red for thee:
Dawendine, Child of Dawning,
Wilt thou fail or follow me?"

And her kinsmen still are waiting her returning from the night,
Waiting, waiting for her coming with her belt of wampum white;
But forgetting all, she follows,
Where he leads through day or night.

There's a spirit on the river, there's a ghost upon the shore,
And they sing of love and loving through the starlight evermore,
As they steal amid the silence,
And the shadows of the shore.

Close by [Emily Pauline Johnson]

.

Emily Pauline Johnson

So near at hand (our eyes o'erlooked its nearness
In search of distant things)
A dear dream lay--perchance to grow in dearness
Had we but felt its wings
Astir. The air our very breathing fanned
It was so near at hand.

Once, many days ago, we almost held it,
The love we so desired;
But our shut eyes saw not, and fate dispelled it
Before our pulses fired
To flame, and errant fortune bade us stand
Hand almost touching hand.

I sometimes think had we two been discerning,
The by-path hid away
From others' eyes had then revealed its turning
To us, nor led astray
Our footsteps, guiding us into love's land
That lay so near at hand.

So near at hand, dear heart, could we have known it!
Throughout those dreamy hours,
Had either loved, or loving had we shown it,
Response had sure been ours;
We did not know that heart could heart command,
And love so near at hand!

What then availed the red wine's subtle glisten?
We passed it blindly by,
And now what profit that we wait and listen
Each for the other's heart beat? Ah! the cry
Of love o'erlooked still lingers, you and I
Sought heaven afar, we did not understand
'Twas--once so near at hand.

Christmastide [Emily Pauline Johnson]

.

Emily Pauline Johnson

I may not go to-night to Bethlehem,
Nor follow star-directed ways, nor tread
The paths wherein the shepherds walked, that led
To Christ, and peace, and God's good will to men.

I may not hear the Herald Angel's song
Peal through the Oriental skies, nor see
The wonder of that Heavenly company
Announce the King the world had waited long.

The manger throne I may not kneel before,
Or see how man to God is reconciled,
Through pure St. Mary's purer, holier child;
The human Christ these eyes may not adore.

I may not carry frankincense and myrrh
With adoration to the Holy One;
Nor gold have I to give the Perfect Son,
To be with those wise kings a worshipper.

Not mine the joy that Heaven sent to them,
For ages since Time swung and locked his gates,
But I may kneel without--the star still waits
To guide me on to holy Bethlehem.

Canadian born [Emily Pauline Johnson]

.

Emily Pauline Johnson

We first saw light in Canada, the land beloved of God;
We are the pulse of Canada, its marrow and its blood:
And we, the men of Canada, can face the world and brag
That we were born in Canada beneath the British flag.

Few of us have the blood of kings, few are of courtly birth,
But few are vagabonds or rogues of doubtful name and worth;
And all have one credential that entitles us to brag--
That we were born in Canada beneath the British flag.

We've yet to make our money, we've yet to make our fame,
But we have gold and glory in our clean colonial name;
And every man's a millionaire if only he can brag
That he was born in Canada beneath the British flag.

No title and no coronet is half so proudly worn
As that which we inherited as men Canadian born.
We count no man so noble as the one who makes the brag
That he was born in Canada beneath the British flag.

The Dutch may have their Holland, the Spaniard have his Spain,
The Yankee to the south of us must south of us remain;
For not a man dare lift a hand against the men who brag
That they were born in Canada beneath the British flag.

Canada [Emily Pauline Johnson]

.

Emily Pauline Johnson

(ACROSTIC)

Crown of her, young Vancouver; crest of her, old Quebec;
Atlantic and far Pacific sweeping her, keel to deck.
North of her, ice and arctics; southward a rival's stealth;
Aloft, her Empire's pennant; below, her nation's wealth.
Daughter of men and markets, bearing within her hold,
Appraised at highest value, cargoes of grain and gold.

Calgary of the plains [Emily Pauline Johnson]

.

Emily Pauline Johnson

Not of the seething cities with their swarming human hives,
Their fetid airs, their reeking streets, their dwarfed and poisoned lives,
Not of the buried yesterdays, but of the days to be,
The glory and the gateway of the yellow West is she.

The Northern Lights dance down her plains with soft and silvery feet,
The sunrise gilds her prairies when the dawn and daylight meet;
Along her level lands the fitful southern breezes sweep,
And beyond her western windows the sublime old mountains sleep.

The Redman haunts her portals, and the Paleface treads her streets,
The Indian's stealthy footstep with the course of commerce meets,
And hunters whisper vaguely of the half forgotten tales
Of phantom herds of bison lurking on her midnight trails.

Not hers the lore of olden lands, their laurels and their bays;
But what are these, compared to one of all her perfect days?
For naught can buy the jewel that upon her forehead lies--
The cloudless sapphire Heaven of her territorial skies.

Brandon [Emily Pauline Johnson]

.

Emily Pauline Johnson

Born on the breast of the prairie, she smiles to her sire--the sun,
Robed in the wealth of her wheat-lands, gift of her mothering soil,
Affluence knocks at her gateways, opulence waits to be won.
Nuggets of gold are her acres, yielding and yellow with spoil,
Dream of the hungry millions, dawn of the food-filled age,
Over the starving tale of want her fingers have turned the page;
Nations will nurse at her storehouse, and God gives her grain for wage.

Beyond the blue [Emily Pauline Johnson (Tekahionwake)]

.

Emily Pauline Johnson

I

Speak of you, sir? You bet he did. Ben Fields was far too sound
To go back on a fellow just because he weren't around.
Why, sir, he thought a lot of you, and only three months back
Says he, "The Squire will some time come a-snuffing out our track
And give us the surprise." And so I got to thinking then
That any day you might drop down on Rove, and me, and Ben.
And now you've come for nothing, for the lad has left us two,
And six long weeks ago, sir, he went up beyond the blue.

Who's Rove? Oh, he's the collie, and the only thing on earth
That I will ever love again. Why, Squire, that dog is worth
More than you ever handled, and that's quite a piece, I know.
Ah, there the beggar is!--come here, you scalawag! and show
Your broken leg all bandaged up. Yes, sir, it's pretty sore;
I did it,--curse me,--and I think I feel the pain far more
Than him, for somehow I just feel as if I'd been untrue
To what my brother said before he went beyond the blue.

You see, the day before he died he says to me, "Say, Ned,
Be sure you take good care of poor old Rover when I'm dead,
And maybe he will cheer your lonesome hours up a bit,
And when he takes to you just see that you're deserving it."
Well, Squire, it wasn't any use. I tried, but couldn't get
The friendship of that collie, for I needed it, you bet.
I might as well have tried to get the moon to help me through,
For Rover's heart had gone with Ben, 'way up beyond the blue.

He never seemed to take to me nor follow me about,
For all I coaxed and petted, for my heart was starving out
For want of some companionship,--I thought, if only he
Would lick my hand or come and put his head aside my knee,
Perhaps his touch would scatter something of the gloom away.
But all alone I had to live until there came a day
When, tired of the battle, as you'd have tired too,
I wished to heaven I'd gone with Ben, 'way up beyond the blue.

. . . . .

One morning I took out Ben's gun, and thought I'd hunt all day,
And started through the clearing for the bush that forward lay,
When something made me look around--I scarce believed my mind--
But, sure enough, the dog was following right close behind.
A feeling first of joy, and than a sharper, greater one
Of anger came, at knowing 'twas not me, but Ben's old gun,
That Rove was after,--well, sir, I just don't mind telling you,
But I forgot that moment Ben was up beyond the blue.

Perhaps it was but jealousy--perhaps it was despair,
But I just struck him with the gun and broke the bone right there;
And then--my very throat seemed choked, for he began to whine
With pain--God knows how tenderly I took that dog of mine
Up in my arms, and tore my old red necktie into bands
To bind the broken leg, while there he lay and licked my hands;
And though I cursed my soul, it was the brightest day I knew,
Or even cared to live, since Ben went up beyond the blue.

I tell you, Squire, I nursed him just as gently as could be,
And now I'm all the world to him, and he's the world to me.
Look, sir, at that big, noble soul, right in his faithful eyes,
The square, forgiving honesty that deep down in them lies.
Eh, Squire? What's that you say? He's got no soul? I tell you, then,
He's grander and he's better than the mass of what's called men;
And I guess he stands a better chance than many of us do
Of seeing Ben some day again, 'way up beyond the blue.

Autumn's orchestra [Emily Pauline Johnson (Tekahionwake)]

.

Emily Pauline Johnson

(INSCRIBED TO ONE BEYOND SEAS)

Know by the thread of music woven through
This fragile web of cadences I spin,
That I have only caught these songs since you
Voiced them upon your haunting violin.

At sunset [Emily Pauline Johnson (Tekahionwake)]

.

Emily Pauline Johnson

To-night the west o'er-brims with warmest dyes;
Its chalice overflows
With pools of purple colouring the skies,
Aflood with gold and rose;
And some hot soul seems throbbing close to mine,
As sinks the sun within that world of wine.

I seem to hear a bar of music float
And swoon into the west;
My ear can scarcely catch the whispered note,
But something in my breast
Blends with that strain, till both accord in one,
As cloud and colour blend at set of sun.

And twilight comes with grey and restful eyes,
As ashes follow flame.
But O! I heard a voice from those rich skies
Call tenderly my name;
It was as if some priestly fingers stole
In benedictions o'er my lonely soul.

I know not why, but all my being longed
And leapt at that sweet call;
My heart outreached its arms, all passion thronged
And beat against Fate's wall,
Crying in utter homesickness to be
Near to a heart that loves and leans to me.
AT SUNSET


To-night the west o'er-brims with warmest dyes;
Its chalice overflows
With pools of purple colouring the skies,
Aflood with gold and rose;
And some hot soul seems throbbing close to mine,
As sinks the sun within that world of wine.

I seem to hear a bar of music float
And swoon into the west;
My ear can scarcely catch the whispered note,
But something in my breast
Blends with that strain, till both accord in one,
As cloud and colour blend at set of sun.

And twilight comes with grey and restful eyes,
As ashes follow flame.
But O! I heard a voice from those rich skies
Call tenderly my name;
It was as if some priestly fingers stole
In benedictions o'er my lonely soul.

I know not why, but all my being longed
And leapt at that sweet call;
My heart outreached its arms, all passion thronged
And beat against Fate's wall,
Crying in utter homesickness to be
Near to a heart that loves and leans to me.

At husking time Emily Pauline Johnson (Tekahionwake)

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Emily Pauline Johnson

At husking time the tassel fades
To brown above the yellow blades,
Whose rustling sheath enswathes the corn
That bursts its chrysalis in scorn
Longer to lie in prison shades.

Among the merry lads and maids
The creaking ox-cart slowly wades
Twixt stalks and stubble, sacked and torn
At husking time.

The prying pilot crow persuades
The flock to join in thieving raids;
The sly racoon with craft inborn
His portion steals; from plenty's horn
His pouch the saucy chipmunk lades
At husking time.

At half-mast Emily Pauline Johnson (Tekahionwake)

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Emily Pauline Johnson

You didn't know Billy, did you? Well, Bill was one of the boys,
The greatest fellow you ever seen to racket an' raise a noise,--
An' sing! say, you never heard singing 'nless you heard Billy sing.
I used to say to him, "Billy, that voice that you've got there'd bring
A mighty sight more bank-notes to tuck away in your vest,
If only you'd go on the concert stage instead of a-ranchin' West."
An' Billy he'd jist go laughin', and say as I didn't know
A robin's whistle in springtime from a barnyard rooster's crow.
But Billy could sing, an' I sometimes think that voice lives anyhow,--
That perhaps Bill helps with the music in the place he's gone to now.

The last time that I seen him was the day he rode away;
He was goin' acrost the plain to catch the train for the East next day.
'Twas the only time I ever seen poor Bill that he didn't laugh
Or sing, an' kick up a rumpus an' racket around, and chaff,
For he'd got a letter from his folks that said for to hurry home,
For his mother was dyin' away down East an' she wanted Bill to come.
Say, but the feller took it hard, but he saddled up right away,
An' started across the plains to take the train for the East, next day.
Sometimes I lie awake a-nights jist a-thinkin' of the rest,
For that was the great big blizzard day, when the wind come down from west,
An' the snow piled up like mountains an' we couldn't put foot outside,
But jist set into the shack an' talked of Bill on his lonely ride.
We talked of the laugh he threw us as he went at the break o' day,
An' we talked of the poor old woman dyin' a thousand mile away.

Well, Dan O'Connell an' I went out to search at the end of the week,
Fer all of us fellers thought a lot,--a lot that we darsn't speak.
We'd been up the trail about forty mile, an' was talkin' of turnin' back,
But Dan, well, he wouldn't give in, so we kep' right on to the railroad track.
As soon as we sighted them telegraph wires says Dan, "Say, bless my soul!
Ain't that there Bill's red handkerchief tied half way up that pole?"
Yes, sir, there she was, with her ends a-flippin' an' flyin' in the wind,
An' underneath was the envelope of Bill's letter tightly pinned.
"Why, he must a-boarded the train right here," says Dan, but I kinder knew
That underneath them snowdrifts we would find a thing or two;
Fer he'd writ on that there paper, "Been lost fer hours,--all hope is past.
You'll find me, boys, where my handkerchief is flyin' at half-mast."

At crow's nest pass (Emily Pauline Johnson)

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Emily Pauline Johnson

At Crow's Nest Pass the mountains rend
Themselves apart, the rivers wend
A lawless course about their feet,
And breaking into torrents beat
In useless fury where they blend
At Crow's Nest Pass.

The nesting eagle, wise, discreet,
Wings up the gorge's lone retreat
And makes some barren crag her friend
At Crow's Nest Pass.

Uncertain clouds, half-high, suspend
Their shifting vapours, and contend
With rocks that suffer not defeat;
And snows, and suns, and mad winds meet
To battle where the cliffs defend
At Crow's Nest Pass.

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Aspens (Emily Pauline Johnson)

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Emily Pauline Johnson

A sweet high treble threads its silvery song,
Voice of the restless aspen, fine and thin
It trills its pure soprano, light and long--
Like the vibretto of a mandolin.

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