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Showing posts with label Hugh Seidman. Show all posts
Showing posts with label Hugh Seidman. Show all posts

Hudson - Hugh Seidman



unwavering noon, self-minus
sun flake on the levels of gold

there are names for these things: rose, brick, plate glass

the annunciation of the sparrow
a gene for anxiety

add hope, fear, greed, desire

no rest but the shade
to which a sun implodes

perhaps on other worlds others walk streets
muse on the weather

psyches built, say, on a double sun of unwavering noon

the balm of such congruence

•

thick, white, stick bicyclists painted on the esplanade to Chambers

glinting Jersey cars
helicopter blades under a ledge of cloud

alien first descent past the Trade Towers
drifting in on the flyway to LaGuardia

landscape, local, locale: the man-made made man

trying to open to something like days' unraveling waves

•

blue pulled toward fire out toward the skyscraper lights

ancient mausoleums
upheavals from personal terror

dark pier jut into dark water

turquoise, indigo, aqua, lapis; under the molten, under the bruise of night

blood in your lips
as a man I violated the boundary of your mouth

I say this because in the phantasmagoria
I was woman and man

in another story you turn men to stone

though here, out of narrative, poignant at Morton Street against the twilight

•

incomprehensible rain under sun

heap-leached haze-gold fused into evening
water's green-grey dense pliance

shadowed face that bends to the shadows to drink and be salvaged

tiered buildings like vast Titanics
yellow truck-trailer's anonymous corpse conjoined to the numberless

a boy swept from the rocks at the Verrazano stanchion
tomb cold draining past Liberty

it need not cohere but how could it not?
without context, for which all are accountable

this is for you of the future: one was here who is gone, into the eigen levels


Hugh Seidman

DID I SAY FATHER? - Hugh Seidman


Tears "burst" from the eyes.
This is the duty of words.

Is silence better?
To look down in the street.

The world is like bread.
Mouths water.

Forgive me if I lift my hand to affirm.
Or is it to question?

Mother had been a blind date.
Love at first sight.

Dirt below black birds.
None to corroborate the fox trot.

Hugh Seidman

US Poet Hugh Seidman 1940

Hugh Seidman (born 01 aug 1940 Brooklyn, New York) is an American poet. He has taught writing at the University of Wisconsin, Yale University, Columbia University, the College of William and Mary, The New School.

His work appeared in The Brooklyn Rail, Harper's, The Paris Review, Virginia Quarterly Review.

He lives in New York City.

Awards

  • 2004 Green Rose Prize from New Issues Press (Western Michigan University) for SOMEBODY STAND UP AND SING
  • 2003, 1990 New York Foundation for the Arts (NYFA) grant
  • 1990 Camden Poetry Award (Walt Whitman Center for the Arts)
  • 1985, 1972, 1970 National Endowment for the Arts fellowship
  • 1971 New York State Creative Artists Public Service grant
  • 1970 Yale Series of Younger Poets Competition

Works

  • "Case History: Melancholia", Virginia Quarterly Review, Spring 2000
  • "The Daily Racing Form", Virginia Quarterly Review, Spring 2000
  • "On the Other Side of the Poem", Virginia Quarterly Review, Spring 2000
  • Collecting evidence. Yale University Press. 1970.
  • People Live, They Have Lives. Oxford, OH: Miami University Press. 1992.
  • Selected Poems: 1965-1995. Miami University Press. 1995.
  • Throne, Falcon, Eye: Poems. Unmuzzled Ox Press.
  • Blood Lord. Doubleday. 1974.
  • 12 views of Freetown, 1 view of Bumbuna, (Half Moon Bay Press), 2003.
  • Somebody stand up and sing. New Issues, Western Michigan University. 2005.

Anthologies

  • Robert Creeley, David Lehman, ed (2002). The Best American poetry. Charles Scribner's Sons.
  • Julia Kasdorf, Michael Tyrell, ed (2007). "Yes, Yes, Like Us". Broken land: poems of Brooklyn. NYU Press.

Criticism

  • Seidman, Hugh (November 8, 1981). "POEMS AND EXCITEMENT". The New York Times. Retrieved May 4, 2010.